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Other performers in the show, too, seem like those good, dependable singers who know their art but whose voices go a little flat on the high notes. Alison Carey's Gwen--the youngest Cavendish, who's torn between love and the stage--gives a fine performance except when called upon, in the ineptly-written love scenes or her own renunciation of a stage career, to display excesses of emotion. Rounding out the clan, Michael Cantor's Anthony--the rake of the family, who sold out to Hollywood--hams his way through his part with plenty of panache but without some...

Author: By Scott A. Rosenberg, | Title: Family Entertainment | 12/4/1979 | See Source »

Beneath Khomeini, the Iranian government is a babble of conflicting voices, some sounding bloodthirsty, others somewhat conciliatory. Acting Foreign Minister Abol Hassan Banisadr, who seems torn between two factions, managed to echo both themes at once last week. "If the U.S. Government intervenes militarily against Iran, all Iranians will fight to the last drop of blood," he proclaimed. But he also said: "The U.S., as a land of free people, can neither submit to the humiliation of surrendering a sick man [the Shah] to a regime such as the Islamic Republic of Iran, nor can it take any pleasure...

Author: /time Magazine | Title: Angry Attacks on America | 12/3/1979 | See Source »

...satisfying as a timeless tragedy about marital and parental love, it also travels across a minefield of contemporary social issues. The characters are very much citizens of the 1970s; their troubles illuminate the cutting edge of an era when all the old definitions of marriage and family have been torn apart...

Author: /time Magazine | Title: Cinema: Grownups, A Child, Divorce, And Tears | 12/3/1979 | See Source »

...Many are likely to identify most readily with the film's principal supporting character, Margaret, a divorced neighbor, played superbly by Jane Alexander. Margaret begins by encouraging Joanna's decision to walk out, later becomes a confidante of Ted's and ends up emotionally drained, torn by both on the witness stand. After the judge has delivered his verdict, it is still difficult for the audience, as well as Joanna, Ted and Margaret, to decide who has really won. The ambiguity lingers to the final frame of the film. Like the first shot, the last...

Author: /time Magazine | Title: Cinema: Grownups, A Child, Divorce, And Tears | 12/3/1979 | See Source »

OHIRA and his squabbling LDP cronies have proved themselves incapable of that leadership. Their obsession with power plays and personal revenge, while hardly unusual for professional politicians, has torn their party apart. The LDP's Grand Guignol shocked a Japanese public accustomed to a veneer of unity and discretion...

Author: By Susan D. Chira, | Title: Discovering Japan | 12/1/1979 | See Source »

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