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Scattered across this diverse land, Nigeria's cities throb with the vigor of noisy commerce and the color of exotic dyes. In the federal capital of Lagos (pronounced Lay-gahs), where gleaming buildings rise among the slums, the streets are a cacophony of honking autos and a torrent of heedless jaywalkers. Lagos' open-air market is a constant melee: picking their way through tall piles of blinding indigo or scarlet cloth, vast platters of red peppers on bright green leaves, and mounds of white salt, hordes of shrieking women peddle alum, alarm clocks, Hershey bars, live chickens, hair...

Author: /time Magazine | Title: NIGERIA: The Black Rock | 12/5/1960 | See Source »

...perspective" only when it rediscovers teachers with "the intellectual guts to expose themselves to criticism and improvement." For five years Greenburg has exposed himself on San Antonio's commercial station WOAI-TV, driven his viewers to read one "great book" a week and sit still for the torrent of gibes, jokes, sneers and slang that he delivers with cheerful self-esteem after arduous homework (he has read The Spirit of Medieval Philosophy 444 times...

Author: /time Magazine | Title: Education: Costly Schooling for M.D.s | 11/14/1960 | See Source »

...Manhattan, a dazed girl stood in the torrent of humanity that swirled around a black convertible. "She touched him!" shrieked her companion. "Quick, Mary, let me touch your hand, and then Sally can touch mine, and then...

Author: /time Magazine | Title: DEMOCRATS: Candidate in Orbit | 11/7/1960 | See Source »

Johnson's interest in biography stems from one of his early works, a critical history of English biography entitled One Mighty Torrent. In this book he expounded his ideas about the principles and techniques for writing biography, and his life of Dickens arose from a feeling that he should test these beliefs to see if they could actually produce the kind of biography he was seeking...

Author: By Rudolf V. Ganz jr., | Title: The Biographer as Artist | 11/5/1960 | See Source »

...unique. Germaine de Beauvais. a young Parisian concert pianist who exiles herself to New Zealand after the death of her husband, is a woman as convincingly evoked as Emma Bovary or Molly Bloom. The narrative is a first-person reverie; a stream of consciousness, then a torrent, then a willful, feminine shutting down of thought. Germaine is mirrored in the flow of words as well as in their content. Prose of a different texture would be necessary if she were older, or merely pretty, or a shade less turbulent...

Author: /time Magazine | Title: Books: Sacred & Profane | 10/31/1960 | See Source »

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