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...which two girls named Tilly Losch and Ann Barberova strike attitudes marvelously reminiscent of medieval sculpture and stained glass. To the threnodies of Ravel, the remarkable Losch, whose dancing has made her something of a fetish in Europe, performs an extraordinary "Arabesque" in which her hands and torso trace sinuous designs while her feet remain motionless. Cole Porter fulfills the duty of popular composers to provide at least one haunting ballad per show. Its name: "What is This Thing Called Love...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Jan. 13, 1930 | 1/13/1930 | See Source »

Appeared at the hearing many artistic friends of the sculptor, equally convinced of his rationality and "artistic magnificence." Among these was Arthur Lee, Norwegian-born sculptor who recently contended in Oilman Ernest Whitworth Marland's competition for the Pioneer Woman and whose torso, "Volupte," is lodged in the Metropolitan Museum. Another was Samilla Love Jameson (married name: Heinzmann) who lately completed a bust of Tammany's 100-year-old Grand Sachem John Richard Voorhis (TIME, Aug. 5). She offered to sell the bust to the highest bidder for money to help the cause. Others were Tamara Loeb, Guggenheim...

Author: /time Magazine | Title: Art: Dreyfuss Case | 8/26/1929 | See Source »

...barely kept his feet as Brooklyn's Tony Canzoneri, tough challenger, rushed and slashed, came close to rocking Rockford's sheik to sleep. Then class told and Tony Canzoneri found himself taking many a left jab, many a deft hook, on the chin, on flattened nose, in his lean torso. Baffled but vicious, the Italian continued his savage rushes. To "Long Count" Dave Barry, referee, they looked convincing. But not so convincing to the ringside judges. So, after ten hard rounds, by vote of 2 to 1, Sammy Mandell kept his seldom-risked crown, was very glad the struggle...

Author: /time Magazine | Title: Sport: Sheik's Crown | 8/12/1929 | See Source »

...buzzard flapped over her?omen of evil?and when she reached a clearing she could see a cloud of his fellows in waterspout formation pointing like a finger down to the knoll in the swamp. She was betrayed. In an agony of fear and bafflement Hagar of the massive torso and puny wit, surrendered to her fate. But suddenly a beautiful idea dawned: "A nigger killin' heself by what de white folks calls committin' suicide."?"Everybody know nigger nebber kill heself."?"Why dat is?"?" 'Cause nigger ain't worry heself dat much...

Author: /time Magazine | Title: Books: Worry | 2/11/1929 | See Source »

Said Galleryman George H. Ainslie: "Some will condemn it on the ground that it is undraped . . . that is unessential criticism . . . only by stripping the figure could the artist tell the story he has told ... it expresses the inward idealism of the emancipator in terms of the physical -in the torso emaciated by labor but muscularly overdeveloped by the same toil. The crossed feet seem to grow out of the earth and the strange pose, at once naïve and striking, suggests ancient statues of Christ...

Author: /time Magazine | Title: Art: Lincoln Nude | 12/17/1928 | See Source »

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