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Capodilista had already noted the great care Giotto devoted to even the finest details, such as the fair hair covering Christ's torso in the Crucifixion, the camels' whiskers in the Adoration of the Magi, the weaving of the tablecloth in the Marriage at Cana. "These details could not be seen from the ground without binoculars," she says, "but somehow you can guess they are there. Such touches are among the joys of working on Giotto, but they are also a reason to fear making a mistake." Giotto's storyboard of man's redemption is a profound religious drama...

Author: /time Magazine | Title: Fresh Revelations | 3/25/2002 | See Source »

...construction of the set adds to the intimate feel of the performance. The stage is blocked by a grid-like wall, which has three windows that open and close to reveal torso views of actors. As a result, the audience feels that they are being allowed to spy on the interactions of the characters...

Author: By Sarah L. Solorzano, CONTRIBUTING WRITER | Title: Going Pro at the Market Theater | 3/8/2002 | See Source »

...incinerator had broken a while back. Each day thereafter brought new appalling discoveries of bodies, some dating back 15 years or more. Fifty-seven corpses were found crammed into six burial vaults. (Each vault is designed to hold just one adult-size coffin.) So far, a skull and torso have been found in the Marshes' pond, where locals used to fish...

Author: /time Magazine | Title: Dead And Forsaken | 3/4/2002 | See Source »

...young dancers. It took lots of hard work, as Frank Sinatra learned when he shared a dance number with Kelly in "Anchors Aweigh": the sequence took eight weeks for Sinatra to learn and perform. But with that industry and application, young men could copy the standard Kelly posture: torso erect, legs swerving as if jellified. That?s the legacy of Kelly?s teenage tap-dancing. Tap has just that contradictory posture: Buster Keaton from the waist up, Jim Carrey from the waist down. The form has a built-in irony, one half of the body counterpointing and commenting...

Author: /time Magazine | Title: That Old Feeling: Dancin? Man | 3/2/2002 | See Source »

...merging of East and West, old and new. "They think like people from the past. I'm trying to interpret history through the filter of a modern person." Considering the passion of his mission, it's hard to imagine that this delicate-looking man with lithe limbs and narrow torso?he looks genetically engineered for arabesques?almost didn't become a dancer...

Author: /time Magazine | Title: Enter the Dragon | 2/18/2002 | See Source »

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