Word: torsos
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Lebrun's emphasis on weight and power makes the almost classical grace of his women on the right of "Two Figures Happening" all the more remarkable. The figure on the left displays typically massive thighs and a heavy torso inclined forward. The right-hand figure is powerful but much lighter. She twists toward her companion and her left arm, bent at the elbow, is thrown across her face. There is grace but not freedom. Both figures really seem to be "happening," to be struggling free of the surrounding darkness. Even in a classical motif Lebrun preserves the heaving...
Today the most formidable and in some ways the bravest woman in South Viet Nam wears tapered satin trousers and a torso-hugging ao-dai, split from ankle to waist, and rides to meet her foes in a chauffeur-driven black Mer cedes. Instead of swords, her weapons are bottomless energy, a devastating charm, a tough, relentless mind, an acid tongue, a militant Roman Catholi cism ? and, most important, the power of the family into which she married. She is Mme. Ngo Dinh Nhu, wife of President Ngo Dinh Diem's younger brother and closest brain-truster...
...proposed and put on a show of 83 works selected from 889 entries gathered from the Southwest-which he decreed to be bordered roughly by the Mississippi River on one side and the Pacific Ocean on the other. He has acquired art of quality, whether it be a torso from ancient Greece, The Walking Man by Rodin, a Calder stabile, or a 23-ft.-long carved crocodile from New Guinea. And he sometimes exhibits things just to keep Houston up to date with the latest fads. Last week, in the big hall designed by Mies van der Rohe that forms...
...come out by itself." A sculpture called The Generals, in which two officers, who vaguely resemble Napoleonic marshals, sit astride the same horse, did not start out as a poke at the military. Marisol, it seems, was doing a sculpture of a friend, using a barrel for the torso, when she realized that if she tipped the barrel sideways she could have the torso of a horse. Legs and head were added, and then the two generals in all their epauletted splendor...
Bony Wrestlers. Ferber started out as a carver, and the earliest work in the show is a conventional female torso from 1932 -a small but ballooning mass that simply stood in space without having any particular relationship to it. In 1934. Ferber began a series of wrestlers into which space entered quite naturally between the parts of the two struggling bodies. Gradually space became more and more important in his work; he whittled down his figures until flesh became bone and bone in time became purely abstract forms. The wrestling went on, but the combatants were no longer human...