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Ulrik Brendel, an old mentor of Rosmer's whose life has corroded through his own illusory ambitions, was given a Chaplinesque twist by Joel Henning. As Professor Kroll, the pompous but observant conservative, Richard B. Stone heroically varies his redundant lines. Had he used his torso as flexibly, the visual effect would have been similarly less monotonous. Joel Crothers as the opportunistic radical leader whose dreams never exceed his political capabilities, and Beryl Kinross-Wright as a housekeeper, turn in two excellent performances...

Author: By Frederick H. Gardner, | Title: Rosmersholm | 12/8/1961 | See Source »

...Bernhard Heiliger is West Germany's foremost sculptor, but until now U.S. gallerygoers have been able to see bits of his work only in large group shows. Last week his first U.S. one-man exhibition opened at Manhattan's Staempfli Gallery. Whether a head, a torso, a bird-like creature, or some abstract shape borrowed from nature, Heiliger sculptures have one common quality: though the artist's hands left them long ago, they still seem to move and change and grow, as if there were something alive inside...

Author: /time Magazine | Title: Art: Captured Vitality | 10/20/1961 | See Source »

Children's fashions, in which Italians are tops, turn rather romantic too. Zingone shows a boy's overcoat with a short tartan cape and a terribly clubby suit (they'd love it at Princeton) with suede torso, checked tweed cuffs and collar. Little-girl styles are more restrained, stick to lowered waistlines, gently flared skirts with deep box pleats...

Author: /time Magazine | Title: Fashion: Romantic Fall | 7/21/1961 | See Source »

...quarter-finals and, in a rare all-British final, dogged Angela Mortimer, 29, who has been after the title for nine years, edged towering (6 ft.) Christine Truman, 20, 4-6, 6-4, 7-5. But before long, McKinley, his thick thighs churning madly and his heavy torso twisting to reach impossible shots, made the gallery take notice of the Yanks...

Author: /time Magazine | Title: Sport: Nijinsky at the Net | 7/14/1961 | See Source »

Shapes are dominated by the long-torso look in jackets with some flare in skirts. Tops are generally blousons (gently bloused bodices) and sometimes sleeveless. Waists are lower, skirts still just below the knee. For both daytime and evening, dresses will have matching jackets. In the evening particularly, women will look long, straight, skinny-and covered up, most notably by the long-sleeved, high-necked Ceil Chapman models. But Estévez' startling gowns are deeply plunged front and back. Sarmi features a daytime "obelisk" silhouette, a flare of pleats from a dropped waistline...

Author: /time Magazine | Title: Fashion: Fall Preview | 6/16/1961 | See Source »

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