Word: tortuousness
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...TIME, Feb. 8), had sounded ragged and disorganized. "Tommy" Schippers had never conducted Verdi's Forza before, but he led orchestra and singers (Soprano Leonie Rysanek, Tenor Richard Tucker, both in top form) with a muscular authority that injected grand drama into every twist and turn of the tortuous plot. For Schippers, the essence of a good performance is spontaneity, and to achieve it when a performance becomes dull, he has been known to "make a deliberate mistake-like jumping a soprano" i.e., pulling the orchestra ahead of the singer, or retarding it to put her on guard...
...dapper little man with the impassive face stood alone on the stage of Manhattan's Carnegie Hall fiddling his way through the tortuous technical complexities of his own "Paganiniana" Variations. While a wisp of broken horsehair from his bow floated around his head, he dazzled his listeners with a performance full of flashing colors, amazing fluctuations in volume and, on occasion, blazing speed. Then, after peeling the shredded hair from his bow and shooting the cuffs of his immaculate dress shirt, he launched into the quieter strains of Ernest Bloch's familiar violin war horse Nigun (from Baal...
...ballpoint gleam, and he headed for the vestibule with a big hello-everybody smile on his face. On the train steps he paused, scooped up a snowball and threw it at the photographers. Hubert Horatio Humphrey, 48, was off and running as only he can run, down the tortuous course of the 1960 presidential primary elections. And he was in crucial Wisconsin, where the voters next April 5 will rule upon his race for the Democratic presidential nomination...
...writing his scripts, Bernstein explains, he tried to avoid the tortuous absurdities of practitioners of the "Music Appreciation Racket" who tangle themselves and their readers in niggling explanations of "the-theme-upside-down-in-the-second-oboe." The result is a book that is fresh, witty and informative. Bernstein meanders through discussions of the conductor's art, the dubbing of movie scores, the grandeur of grand opera, the Americanness of American musical comedy, the prejudice against modern music, and half a dozen other topics - all tending to disprove Bernstein's own thesis that "the only...
...members of the audience, who left during the first act, Jenufa was apparently still too bleak to take. But those who stayed let loose with a volley of bravos for the cast and brilliant Yugoslav Conductor Lovro Von Matacic. It looked as if Composer Janacek, in his slow and tortuous way, might at last be winning the audience that had so long eluded...