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Word: tosca (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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MARIA CALLAS (Angel 3502, 3508). Bellini's 1 Puritani and Puccini's Tosca: the Greek-American soprano in her prime...

Author: /time Magazine | Title: Recordings: Last Chances for Mono | 7/26/1968 | See Source »

BELL TELEPHONE HOUR (NBC, 10-11 p.m.). "Opera: Two to Six" starts with a Tosca duet by Joan Sutherland and Tito Gobbi, grows into the trio from Faust, the Verdi quartet from Rigolctlo, a Wagner quintet from Die Meistersinger, and finally the sextet from Donizetti's Lucia di Lammcrmoor, in which the two are joined by Nicolai Gedda, Jerome Mines, Mildred Miller and Charles Anthony...

Author: /time Magazine | Title: Television: Mar. 22, 1968 | 3/22/1968 | See Source »

Mehta's bookings for 1968, for example, call for 22 weeks of concerts with the Los Angeles Philharmonic, three operas at the Met-among them Tosca, which he conducted last week-one opera on Italian television, five recording sessions, and guest appearances at five festivals and with five other orchestras...

Author: /time Magazine | Title: Conductors: Gypsy Boy | 1/19/1968 | See Source »

Metropolitan Opera General Manager Rudolf Bing saw Mehta conduct Tosca in Montreal in 1964 and recalls that "it was very funny. I engaged him." Funny? "There were many mistakes," explains Bing. "He was totally inexperienced. But it was all overshadowed by his personality and talent. Experience anyone can get." Mehta made his Met debut in December 1965 with Aïda, quickly became one of the top cocks in the Met pit. This season he has conducted three major productions, including a new Carmen. Says Bing: "I am still impressed by his talent and personality-and now it is less...

Author: /time Magazine | Title: Conductors: Gypsy Boy | 1/19/1968 | See Source »

...PUCCINI: TOSCA (2 LPs; London). Birgit Nilsson's voice is purest gold, and it takes men of equal quality to sing against her. She has found ideal antagonists in this recording: Dietrich Fischer-Dieskau as Tosca's brutally intelligent tormentor and Franco Corelli as her devoted lover are almost overwhelming in their dynamic and masculine artistry. Yet Birgit summons all the fire in her Swedish soul and emulates, if not exactly incarnates, the Latin passions of Tosca, daring anyone to typecast her as merely a Wagnerian soprano. With Conductor Lorin Maazel whipping his orchestra along in unrelenting fury...

Author: /time Magazine | Title: Television: Sep. 22, 1967 | 9/22/1967 | See Source »

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