Word: toscanini
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Dates: during 1960-1969
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...years later the brilliant foursome traveled to the U.S., where their concerts and records raised chamber music to new heights of popularity. Their repertoire ran from the classical Beethoven and Brahms to moderns like Bartók and Milhaud, all played with a passion and Toscanini-like elegance that substantiated their preeminence as the best string quartet of the century...
Arrigo Boito's Mefistofele may be an exception. Toscanini admired it. Great bassos love to strip to the waist and storm through it. Famous prima donnas long to play at being beautiful and abandoned in it. The Metropolitan Opera has hinted at doing it for decades, but when the New York City Opera presented it last week, it was the first time that New Yorkers were able to see the opera performed with full stage trappings in 43 years...
...19th century, Composer-Conductor Gustav Mahler ushered in another Golden Age of Viennese opera by stressing dramatic stagecraft as well as musical excellence in his productions. The years that followed were a time of great names (Enrico Caruso, Maria Jeritza, Lotte Lehmann, Bruno Walter and Arturo Toscanini) and spectacular gestures. Many Viennese still remember the flamboyant tenor Jan Kiepura, who after performances serenaded his fans from the roof of a taxicab outside the stage door...
...virtuoso and 1958 Leventritt Competition winner. Second Violinist John Dalley, 33, and Violist Michael Tree, 46, are both talented sons of well-known violin teachers. Cellist David Soyer, 43, the quartet's unofficial spokesman, is also its most musically seasoned member; his experience ranges from dance bands to Toscanini's NBC Symphony to solo recitals...
...Martin-in-the-Fields, which took its name from the old London church where it made its debut a decade ago. With Concertmaster Neville Marriner directing in 18th century style from the first desk, the 16-man ensemble achieves a dramatic precision that would do credit to Toscanini. The three Divertimenti for strings, written when Mozart was 16, are stunning miniatures in Italian rococo symphonic style. The Serenata Notturna, scored for two small orchestras plus timpani, also sparkles with classical elegance...