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Word: toscanini (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...both Russians and Americans, the supreme symbol of the Soviet Union at war was the "Leningrad" Symphony, Dmitri Shostakovich's Seventh. In 1942, when Arturo Toscanini and the NBC orchestra performed it on radio for the first time in America, the New York Times music critic remarked that "the ballyhoo has never been surpassed in history for the scope of the publicity and the distribution of the music." In the U.S.S.R., performances of the symphony were said to have exerted "a profound influence on the psyche of the Soviet people in the struggle against the Nazi invader...

Author: /time Magazine | Title: Books: Music Was His Final Refuge | 10/29/1979 | See Source »

...wears earplugs to keep the volume down. Usually Horowitz watches the action from the sidelines, but birthdays are something else. "That was my first gift for my birthday, to be able to dance like that," he gloated, after stomping away with Wife Wanda. "As my father-in-law Arturo Toscanini used to say," he recalled, " 'You can't be serious 24 hours a day. You have to take half an hour or an hour a day to be childish...

Author: /time Magazine | Title: People, Oct. 16, 1978 | 10/16/1978 | See Source »

...nation's best; in Manhattan. As a Jew, Steinberg was forced to leave his post as music director of the Frankfurt Opera in 1933. He moved on to Palestine, where he recruited an orchestra in Tel Aviv, and then to the U.S., where he became Arturo Toscanini's assistant at the NBC Symphony. In Pittsburgh, Steinberg was known as a disciplined maestro of self-effacing humor whose camaraderie with his musicians helped bring out their best talents...

Author: /time Magazine | Title: Milestones, May 29, 1978 | 5/29/1978 | See Source »

...tunes, watching Toscanini conduct, she recalls wondering, "How would it feel to wave that little stick around...

Author: /time Magazine | Title: Music: Mitty Maestro | 5/15/1978 | See Source »

...much by his personality as by his musicianship. He insists that his players call him Slava, not maestro. He refuses to place himself on a pedestal higher than the podium. Herbert von Karajan once broke up a rehearsal when he spied a musician chewing gum. Szell was a tyrant. Toscanini's men loved him, yet trembled before his baton-snapping temper. "Sometimes," says Rostropovich in his near-impenetrable English, "conductor says to orchestra, 'You play for me and my ego!' No. Orchestra must not think conductor is god. Some day he is running quick to bathroom, then orchestra says, 'There...

Author: /time Magazine | Title: The Magnificent Maestro | 10/24/1977 | See Source »

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