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...Toscanini-Beethoven...

Author: /time Magazine | Title: Music: Toscanim-Beethoven | 2/14/1927 | See Source »

...short, thick figure of Arturo Toscanini stood on the conductor's dais at Carnegie Hall, Manhattan, last week. Italians, Germans, Americans beat their palms together, cheered. Soon he turned his back on them, raised his baton. He was no longer Toscanini, but Ludwig van Beethoven-the Beethoven of the surging First and the grandiose Ninth Symphonies. He needed no score to make soloists of the thousand musicians of the Philharmonic Orchestra. Beethoven was in his eyes, his fingertips, his baton. . . . The concert ended. There was a mighty ovation. The audience went home with its marrow tingling; critics groped...

Author: /time Magazine | Title: Music: Toscanim-Beethoven | 2/14/1927 | See Source »

...ranked among the greatest conductor. Arturo Toscanini, (La Scala, Milan) unrivaled in ability to make an orchestra "sound"; Willem Mengelberg, (N. Y. Philharmonic) famed for the passionate warmth of his music; Paul Felix Weingartner, (Vienna) who loves the "classica"; Karl Muck, (Hamburg) noted for his tone coloring; Frederick Stock, who has made the Chicago Orchestra one of the three best in the world; Leopold Stokowski, (Philadelphia Symphony) the "virtuoso" among conductors: these men are widely considered to outrank...

Author: /time Magazine | Title: Music: Out Among the People | 12/27/1926 | See Source »

...what success the music wins is due mainly to Conductor Giorgio Polacco. Two decades ago he came to the U. S. from Italy, lavished his talent on scattered engagements. In 1915 he substituted for Toscanini as chief conductor of the Metropolitan Opera Company, Manhattan. Later he was called to assist the great Cleofonte Campanini as director of the Chicago Opera, married Edith Mason, singer. Now he makes music out of even La Cena Delle Beffe...

Author: /time Magazine | Title: Music: Drama-Spectacle | 12/13/1926 | See Source »

Furtwangler, conductors, Arturo Toscanini, guest conductor, will open its season in Philadelphia on Oct. 13, give its first Manhattan concert on Oct. 14. Mr. Mengelberg's novelties will include Howard Hanson's Pan and the Priest, a tone poem for violin and orchestra by Templeton Strong, U. S. composer living in Geneva (Josef Szigeti, soloist); the first performance of Scriabin's piano concerto (Gitta Gradova, soloist); a fantasy by Darius Milhaud for piano and orchestra; Szymanowski's Third Symphony; J. C. Bach's Sinfonia; Bloch's Israel, Honegger's Tempest overture; Pfitzner...

Author: /time Magazine | Title: Education: Orchestras | 9/27/1926 | See Source »

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