Word: toscanini
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...dizzy Harvard student. But one outlet for diversion which can be trusted each biannual drought is WHRB, 95.3 on your dial, which this year brings better-than-ever orgies right into the bedrooms of anxious and dissipated students on every edge of campus. Ranging from the traditional Arturo Toscanini Orgy to the sublime Bach Cantatas Orgy to the eclectic Northern New Jersey Orgy, featuring the mellifluous tones of (no, not the Jersey turnpike) some of the Garden State's finest, WHRB has something for everyone, regardless of preference...
Beethoven: Symphony No. 7 in A, Op. 92 (The Marlboro Festival Orchestra, Pablo Casals, conductor; Columbia; $6.98). Few performances of this eloquent work can stand comparison with the 1936 recording by Toscanini and the New York Philharmonic (still available on RCA Victrola). This one can. Taped during a live performance in 1969 when Casals was 93, it is a summing up of all the attributes associated with him as a conductor: full-blooded sonorities, razor-sharp attacks, irresistible rhythms, shadings of almost chamber-music delicacy. Are there more like this in the Columbia vaults...
...unsentimental romanticist, Solti works easily within the huge design of the Eroica. He treats the long first movement almost as an extended phrase. If he lacks something of the rhythmic intensity of Toscanini, Solti nevertheless fuses the conflicting elements of the symphony into a coherent whole with no sacrifice of tonal beauty. The sad serenity of the adagio of the Ninth Symphony surges to the famed choral movement with stunning emotional impact. Partisans will want to stick with some of the classic interpretations: Toscanini's Seventh, for instance, or the Erich Kleiber/Amsterdam Concertgebouw Fifth. But for consistent clarity, warmth...
...Milash-kina) was excellent, but here, as on sev eral other occasions, the real stars were Conductor Yuri Simonov, 34, and his powerhouse orchestra, who seize upon each moment of melodrama. "Whatever is written in the score should be heard," says Simonov, echoing his idol, the late Arturo Toscanini. That goes for voices too. Simonov has a knack, for allowing key vocal phrases to come through, while keeping the orchestra down but precisely audible. This Pique Dame pro duction is a relatively youthful eleven years old; it too is evocative...
...repainted Pictures. It is a marvel that the original music has the strength to stand up to this kind of dilution, like a good Scotch to soda. Tomita's Pictures is no threat to Sviatoslav Richter's classic version of Mussorgsky's piano original, or the Toscanini interpretation of the expert Ravel orchestration. What Tomita does is pop art pure and simple. It is benevolent caricature, a funny-paper treatment of the classics for those who get nervous at the real thing...