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Word: toscanini (lookup in dictionary) (lookup stats)
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...Pierre Boulez gave him a watch. That was like giving Soprano Birgit Nilsson a pitch pipe. As head of the Philharmonic's percussion section, Goodman has been keeping time for the orchestra for 46 years. His rolls, ruffs and drags were as familiar and indispensable to Mengelberg and Toscanini in their day as to Bernstein and Boulez in theirs. Goodman's departure this week will terminate one of the longest tenures in the history of American symphonic life. As Philharmonic Snare Drummer "Buster" Bailey puts it for the whole orchestra, "It will just never be the same again...

Author: /time Magazine | Title: Music: Ruffs and Drags | 9/18/1972 | See Source »

...short. As a performer Levant had made millions of friends-because audiences were too remote to put down. And because behind the gargoyle there always seemed a tortured and sympathetic soul. It takes little psychoanalytic skill to understand why Levant was so fond of recalling his argument with Toscanini. The maestro differed with him over the interpretation of the Concerto in F. "But Mr. Gershwin wanted it this way," protested Levant...

Author: /time Magazine | Title: Show Business: In Search of Frenzy | 8/28/1972 | See Source »

...That poor boy," replied Toscanini. "He was-a sick...

Author: /time Magazine | Title: Show Business: In Search of Frenzy | 8/28/1972 | See Source »

...Once upon a time," says Japanese Conductor Seiji Ozawa, "nearly every major orchestra was a dedicated maestro's proudest castle. It no longer is." Where one castle used to suffice for a Toscanini or a Koussevitsky, now only two-or more-will do. Pierre Boulez now jets between the New York Philharmonic and London's BBC Symphony, Georg Solti between the Chicago Symphony and Orchestre de Paris, Zubin Mehta between the Los Angeles and Israel Philharmonics, Lorin Maazel between London's New Philharmonia and the Berlin Radio Orchestra; Maazel will also conduct the Cleveland Orchestra beginning next...

Author: /time Magazine | Title: Music: Two-Castle Man | 2/14/1972 | See Source »

Furtwängler was totally different -a very Germanic, mystic type who managed to impose his almost religious view of music on the players. This resulted in absolutely superb performances too. During the '20s and '30s, Furtwängler and Toscanini were the greatest conductors. Now Georg Solti and Herbert von Karajan are the greatest, and in somewhat the same way, with Solti comparable to Toscanini and Karajan to Furtwangler...

Author: /time Magazine | Title: Music: The Parasitic Profession | 1/10/1972 | See Source »

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