Word: toscanini
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...stately appearance, and his knighthood completed the effect. Appearance does not assure good press, though, and Barbirolli never got it. While most of the great British conductors-Beecham, Goossens, Sargent, Boult-stayed primarily in their native country, Barbirolli came to America to conduct the New Pork Philharmonic when Toscanini left it in 1937. His disastrous career here insured him of a bad critical reputation for the rest of his life...
Died. Jack Fishberg, 66, violinist for 44 years with the New York Philharmonic and its predecessors; in London. Part of a remarkable family that at one time counted six members in the Philharmonic, Fishberg played for all the great conductors, and rated Toscanini the greatest of them all-though the orchestra did have to pull even him out of the soup. "He once got mixed up in Daphnis and Chloe," said Fishberg. "We kept on playing. We knew the score...
Szell's loss to the world of music, like Toscanini's before him, is incalculable. The two conductors resembled each other in many ways, though they had arrived at the resemblance by opposite paths. The Italian had brought Verdian passion to the Viennese world of Mozart, Beethoven and Brahms, restraining his fire with a rigorous intellectualism. Szell, born in Hungary and schooled in Vienna, brought a Viennese richness and Teutonic thoroughness to the mainstream of Central European music, touching it with a fierce temperament unheard of in most Germanic conductors. He had enough dramatic depth to disdain mere...
Died. Sir John Barbirolli, 70, internationally famed conductor; of heart disease; in London. Barbirolli was only 37 when he was called upon to step into the retiring Arturo Toscanini's shoes at the New York Philharmonic; it was an impossible task, and he returned to England in 1943 to shape Manchester's venerable but war-ravaged Halle Orchestra into one of Europe's best...
Leonard Bernstein: Beethoven's Nine Symphonies (8 disks; $35.98; Columbia). A great many complete sets of the Nine already exist: Klemperer, Karajan, Leinsdorf, Ormandy, Toscanini, Walter. But Bernstein's is the newest, and as a Beethoven interpreter he is both fiery and energetic, qualities highly necessary to this music. Calmer moments (as in the "Pastoral") now and then take on a tense, leashed-down quality that make a listener unnecessarily impatient for the storm to come. Particularly recommended to those who see Beethoven as a man with thunder in his eyes and lightning flashing from his fingertips...