Word: toscaninis
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Dates: during 1920-1929
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...Wagnerian opera at the Metropolitan. Gatti, too, had a reputation for keeping singers sternly under discipline. The singers at the Metropolitan, like most singers, loved discipline not at alL They knitted their brows and waited. The new manager stipulated in his contract that he would bring with him Arturo Toscanini, then already famous. This orchestra conductor enjoyed a well earned renown for handling singers without gloves...
...Under his guidance the German operas grew better. It might have been noted in the first place that Gatti was an ardent Wagnerite then, as he is today, He had made a specialty of Wagner at La Scala. And he had brought with him a prodigious Wagnerian conductor in Toscanini. And then he was a first-rate master of economical management, the sort of man who would shrink a deficit. It did not take the clever business men on the Board of Directors long to observe that. They supported him vigorously. With such sure support an impresario...
...beginning of his reign, placed himself as an enemy of the star system, of the domination of a company by a few famous and favorite singers. He gave emphatic attention to orchestra, chorus, ballet, production. The Metropolitan had always enjoyed fine orchestra conducting. This Gatti sustained with Toscanini and then with his present German conductor, Arthur Bodanzky. In Moranzoni, Papi and Haesselmans he has now a first-rate set of Italian and French conductors. Under Giulio Setti the Metropolitan chorus became a model. The productions ? Samuel Thewman is the present stage manager ? have kept to a high standard...
...Toscanini is at last putting on at La Scala of Milan Boito Nerone- that opera by the interesting composer of Mefistofele who was at the same time one of the most distinguished poets of Italy and the literary collaborator with Verdi in Otello and Falstaff. For the leading soprano role the conductor has selected Rosa Raisa, dramatic soprano of the Chicago Opera Company. This, of course, is a distinguished honor and one well deserved by the lady of the great ringing voice. Time was when the season's list of singers at La Scala held the elite...
After much competition Miss Margaret Sheridan was selected to create the prima donna role of Candida in Respighi's new opera, Belfagor, which is to be produced in a month at the La Scala house in Milan, Toscanini conducting. Some four years ago Miss Sheridan appeared in Covent Garden, London...