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Word: toscaninis (lookup in dictionary) (lookup stats)
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...glorious composition, generally regarded as THE Violin Concerto, is a perfect fusion of the Classical and the Romantic in music. The collaboration of Heifetz and Munch resulted in a skillful blending of Classic clarity and Romantic richness. Heifetz performed with even greater fluency than in his definitive recording with Toscanini. He played with great insight, and tossed the many cadenza-like passages with uncanny ease...

Author: By Lawrence R. Casler, | Title: The Music Box | 10/29/1951 | See Source »

Verdi: La Traviata (Licia Albanese, soprano; Jan Peerce, tenor; Robert Merrill, baritone); the NBC Symphony Orchestra, Arturo Toscanini conducting; Victor, 4 sides LP). The recording loses a little of the fervor of the splendid 1946 broadcast...

Author: /time Magazine | Title: Music: New Records, Oct. 22, 1951 | 10/22/1951 | See Source »

Noting that Rachel (The Sea Around Us) Carson had agreed to do the commentary for the Toscanini-NBC Symphony recording of Debussy's La Mer, which will be released this fall, the New York Times's Book Columnist David Dempsey concluded: "This opens up practically unlimited possibilities for authors who would like to do a little music commentating oji the side. Hemingway could take Carmen; Anne Morrow Lindbergh, The Flying Dutchman; Lin Yutang, Chopsticks...

Author: /time Magazine | Title: People, Oct. 15, 1951 | 10/15/1951 | See Source »

...qualm, despite the fact that, with diplomats overflowing the opera house for the Japanese Peace Treaty, early rehearsals had to be held in an old downtown theater. The only thing that gave her the slightest pause was a feeling that Conductor Fausto Cleva might not do things exactly Toscanini's way. But when the big moment came, Cleva did just fine ("He was perfect"), and Soprano Nelli covered herself with glory too, singing in a voice that was sweet and sure. Even the critics joined in the prolonged applause...

Author: /time Magazine | Title: Music: Un-Nervous Nelli | 10/1/1951 | See Source »

...Nelli, whose pre-Toscanini training with the Salmaggi and San Carlo opera companies gained her much experience but little fame, success in San Francisco meant a step closer to her dream of the Met, plus new confidence. Said she: "Lily Pons came back to my room and congratulated me. When one coloratura says something nice to another, you can be sure they mean...

Author: /time Magazine | Title: Music: Un-Nervous Nelli | 10/1/1951 | See Source »

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