Word: toscas
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Dates: during 1970-1979
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...roles like Nemorino in L'Elisir d'Amore. With age, however, a tenor's voice takes on a heavier tone and darker coloration. By the time he is in his 40s, a tenore lirico is usually ready for roles in the intermediate spin to (pushed) range, like Cavaradossi in Tosca, and maybe even in the forceful, baritonal tenore drammatico category, like the title role of Otello. But he must use extreme care, lest he damage the muscles of ins vocal mechanism. Many a promising Rodolfo who was too eager to tackle roles beyond his vocal weight is today running...
...afternoon, Pavarotti attacks his easel. Three years ago, a fan in Chicago gave him a set of oil paints after seeing him portray the artist Mario Cavaradossi in Tosca. He taught himself to paint large, naif landscapes in blazing colors, most of them based on postcard photos of places he has never seen...
...living memory, the voices of the city's world-renowned Choir Boys will not be heard in the Hofburg chapel this Christmas. Seven Masses, traditionally sung by the Sängerknaben, have been canceled; so has the State Opera's year-end performance of Puccini's Tosca. The reason: a 30-year-old federal law forbidding children under 14 to work for pay. The law was designed to prevent mine operators and the like from exploiting youngsters. But the city fathers were forced to rule that it also applies to the choir, a 480-year-old institution...
...brought a startling variety of talents and interests to the magazine. He loved opera (Tosca was his favorite); he read Latin and Greek, occasionally poring over Aristotle in his office; he was a student of theology and philosophy; he was a military expert, having served Stateside in the Marines during World War I. He was also a skilled pilot who had flown with Charles Lindbergh in the Missouri National Guard. During World War II, Alex used to relax on weekends by test-piloting Grumman fighters...
...voice is bigger and less lyrical than it used to be. He has lost 85 lbs., and in doing so disproves the theory that a singer who loses much weight loses vocal beauty. The voice is in lustrous condition. Pavarotti gave a virile E lucevan le stelle from Tosca, an aria that is often more wept than sung. He took on Beethoven's In questa tomba oscura, an unyielding piece, though a war-horse of recital repertory. In the last two bitter words, ingrata, ingrata, he showed how a bold singer with operatic instincts can bring pathos to the whole...