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Word: tosh (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Stevie Wonder toured with the Stones; so did Peter Tosh; last time out, Prince kicked off some concerts for them. It is the Stones' way of reminding audiences of the incalculable debt the band owes to the traditions of rhythm and blues, and soul. It is also good business. Black audiences may turn out to catch the opener and stick around for the headliners. Certainly putting a quarter-century-old rock outfit beside a new band that's hot and soulful gives the Stones a little proximity to the future. Keeps them fresh, you might say. Keeps them young...

Author: /time Magazine | Title: Music: New Directions for The Next Decade | 9/4/1989 | See Source »

...there was only one creature, six frightened earthlings and little more subtext (or, for that matter, dialogue) to the film than there was to Friday the 13th or Halloween. Alien lived as a demonstration of the power of style and sheer moviemaking technique to transform tosh into terror that continues to haunt the memory...

Author: /time Magazine | Title: Cinema: Help! They're Back! | 7/28/1986 | See Source »

...beside the debris-strewn riverbank and felt, "well, outrage." Over the years he and his Shakespeare Globe Trust faced the slings and arrows of competition from other restoration drives and a local borough council more interested in low-income housing (its deputy leader called the Bard "a lot of tosh"). After the council pulled out of a 1981 deal with a development company that would have guaranteed the site ("political vandalism," in Wanamaker's view), the Trust sued. Late last month the sea of troubles finally ended in an out-of-court settlement and a go-ahead...

Author: /time Magazine | Title: People: Jul. 21, 1986 | 7/21/1986 | See Source »

...reggae in Rockers (which features Peter Tosh and Burning Spear, among others) seems noticeably contemporary. It slowly unveils a political awareness less violent than Bob Marley's recent activist songs; and it feels more polished, more heavily produced than traditional Rasta music. A guitar, a bongo, and smooth, taffy-flavored voices don't appear to be enough anymore. One introduction sounds remarkably similar to several measures on Elvis Costello's recent album. And a tuxedoed concert performer carries himself like Barry Manilow onstage. These isolated moments don't detract, however, from the music's mirthful, sensuous beauty...

Author: By David Frankel, | Title: Soothing the Savage Beast | 7/25/1980 | See Source »

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