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Word: toshiro (lookup in dictionary) (lookup stats)
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...short fellow with gold-rimmed eyeglasses said, "I'd pick Toshiro Mifune. There'd be no screwing around. You know, in Yojimbo, Mifune says "better if all these men were dead.' It's a great movie. You should...

Author: By Paul Williams, | Title: The Best Man | 11/4/1964 | See Source »

...this unhappy story unravels, it becomes increasingly clear why The Idiot was not released in this country until Kurosawa had established a reputation with his samurai films. For one thing, many of the actors are prone to excess, in one way or another. Toshiro Mifune, as a rowdy, alternates between bug-eyed rage and glowering indignation; Masayuki Mori, as the idiot, plays everything in a kind of sad-eyed slow motion that conveys saintliness but also causes boredom; and several secondary characters engage in the snorting histrionics that seem peculiarly Japanese. Moreover--presumably because The Idiot originally ran more than...

Author: By Martin S. Levine, | Title: The Idiot | 10/6/1964 | See Source »

STRAY DOG. A rookie detective (Toshiro Mifune) tracks a killer through the Tokyo underworld in a newly imported 1949 melodrama by Director Akira Kurosawa, which stirs up the rubble of postwar Japan...

Author: /time Magazine | Title: Television: Mar. 27, 1964 | 3/27/1964 | See Source »

Stray Dog, made in 1949 by Japanese Director Akira Kurosawa, is a less expert thriller but a deeper movie than his recent High and Low. Both are cops-and-robbers chase films, starring Toshiro Mifune. But the older work, aglow with zest and freshness, displays abundantly two qualities of Kurosawa's ripening genius: the ability to make moving pictures move, and an aching compassion for his fellow...

Author: /time Magazine | Title: Cinema: Tokyo Manhunt | 3/13/1964 | See Source »

...sentence of only one to ten years if the victim is returned unharmed. But the film is no mere polemic. The story begins with a business conclave in a luxurious home perched on a hilltop high above the smoking slums of Yokohama. While a shoe company executive named Gondo (Toshiro Mifune) struggles with his unprincipled colleagues in a last-ditch fight for control of the firm, a kidnaper strikes. Intending to seize Gondo's young son, he nabs the chauffeur's boy by mistake. Swiftly, the issues narrow to meaningful dimensions: Gondo faces ruin unless he uses...

Author: /time Magazine | Title: Cinema: A Yen for Yen | 11/29/1963 | See Source »

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