Word: tossed
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...punks at Harvard Square, on the orderlies at UHS and on former Soviet leaders. This week's fashion trend isn't about cheeze labels like "gen-x" or "glam rock" or "punk as fuck"--this trend crosses such petty verbal boundaries. I would suggest that the truly stylin' toss the CK One, grow out that short bleached and cropped hair, stop saving up for the perfect black penny loafers and invest in the single item which apparently rocks the Harvard fashion scene: Big Hairy Russian Intellectual Hats...
Firecrackers, hand grenades, bombshells: the defense team is ready to toss an arsenal of hints, suggestions and arguments into this already explosive case. While Clark was cooling off and plotting her comeback, halfway across Los Angeles County, defense lawyer Robert Shapiro was watching his 14-year- old son Brent play a hard-fought, body-checking ice hockey game--and chatting strategy. Consider the bloody socks, he says, talking fast while cheering on Brent. Investigators ``find a pair of socks'' at O.J.'s house the day after Nicole Brown Simpson and Ronald Goldman are found murdered, Shapiro explains. ``Nobody notices...
Vamps & Tramps is an apt title, and not just because, as the author writes, it ``evokes the missing sexual personae of contemporary feminism''-- the drag queens and prostitutes who are the stars of her cosmology. The title also summarizes Paglia's method. Toss her a pop-cultural subject, and she'll vamp on it, often brilliantly. Invoke her prim sisters in ``the feminist establishment,'' and she'll tramp on them with the Cuban heels of her rhetoric. Into any fray she bursts, a media Medusa, a Valkyrie for hire, Penthesilea fighting for Amazon rights. Is she fair? Nah--fair...
...about 15% through the 1970s, rose to 21% by 1991. "The kids eat nothing but junk food," says Liam Hennessey, a special- ed teacher from San Francisco who watches students on school trips open the lunches their parents pack for them, gobble up the Oreos and Pop-Tarts and toss out the sandwiches...
Vamps & Tramps is an apt title, and not just because, as the author writes, it "evokes the missing sexual personae of contemporary feminism" -- the drag queens and prostitutes who are the stars of her cosmology. The title also summarizes Paglia's method. Toss her a pop-cultural subject (Amy Fisher, Lorena Bobbitt), and she'll vamp on it, often brilliantly. Invoke her prim sisters in "the feminist establishment" (Anita Hill, Catharine MacKinnon), and she'll tramp on them with the Cuban heels of her rhetoric. Into any fray she bursts, a media Medusa, a Valkyrie for hire, Penthesilea fighting...