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...February and March, the FDA issued recall orders for more than 1,000 cardiac-pacemaker units that are prone to premature failure or that cause too high pulse rates. On a lower order of urgency, the FDA last month announced the recall of 1,600 dozen "Brownie tote brushes," which are toothbrushes made to be used exclusively by Brownies. The item's handle bears the official insignia of this younger order of Girl Scouts but has a tendency to snap...

Author: /time Magazine | Title: MARKETING: Once Is Not Enough | 5/12/1975 | See Source »

...Vienna-bred Korngold landed in Hollywood in 1934, he had behind him an astounding career as a musical Wunderkind in Europe. When he was a teenager, his works were performed by Pianist Artur Schnabel and Conductor Bruno Walter. In 1921, when Korngold was 24, his third opera, Die Tote Stadt (The Dead City), was staged at New York's Metropolitan Opera. In the leading role of Marietta was Soprano Maria Jeritza, making her Met debut. The American public took to Jeritza but not to Korngold, and after a few years it forgot him as a serious composer...

Author: /time Magazine | Title: Music: Erich the Wunderkind | 4/14/1975 | See Source »

Last week Die Tote Stadt was finally revived by the New York City Opera, with Jeritza, now a remarkably robust and handsome 87, sitting in the fourth row center. Even in the 1920s, Die Tote Stadt was an anachronism. Korngold was to Richard Strauss what Engelbert Humperdinck (Hansel und Gretel) was to Wagner-a brilliant but minor follower. The style of Die Tote Stadt is a lush, clamorous, occasionally schmaltzy orchestral sonorama that lies somewhere between Der Rosenkavalier and Elektra, with special added effects from Puccini, Debussy, Mahler and Rimsky-Korsakov. The best of its vocal moments, like the taunting...

Author: /time Magazine | Title: Music: Erich the Wunderkind | 4/14/1975 | See Source »

Sexily Luscious. Director Frank Corsaro has staged Die Tote Stadt as a brilliant, psychologically adroit multimedia show. Movie and slide projectors play on the front scrim. Four slide projectors illuminate a scrim in the rear. Corsaro and Cinematographer Ronald Chase spread a series of images that are at times dazzling in their three-dimensional effect-grotesque faces, Gothic walls and towers, eerie grottoes, flowers, woodlands. The production opens, for example, on the exterior of Paul's house. Then, through the masonry, the portrait of Marie begins to shine. The lights come up behind the scrim in Paul...

Author: /time Magazine | Title: Music: Erich the Wunderkind | 4/14/1975 | See Source »

...Tote Stadt worth the effort...

Author: /time Magazine | Title: Music: Erich the Wunderkind | 4/14/1975 | See Source »

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