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Word: totems (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...blocks to squander, Ossorio used no fewer than five in his work titled Waste Not, Want Not. Along with four mannequin heads, plus the weathered skull of a toothy lion, they have been neatly skewered, mounted and bedecked with paint to form a chillingly gay totem pole. It stands as a kind of wry monument to Ossorio's own aesthetic cannibalism...

Author: /time Magazine | Title: Art: Old Hat No More | 12/19/1969 | See Source »

...forms came from nature, and much of his work was anthropomorphic, often totem-like. But he could be whimsical and visually witty too, because, he said. "sometimes you play." Much of his work is east bronze, with a good deal of surface texture. He worked with anything from styrofoam to wooden beams from razed houses...

Author: By Deborah R. Waroff, | Title: Mirko Basaldella, Director Of Design Workshop, Dies | 11/26/1969 | See Source »

...students declared himself unable to think of Harvard as a community of scholars and students. "It is a hierarchy," he said, "and this is the source of our graduate student problems. I feel that we are on the low end of the totem pole...

Author: NO WRITER ATTRIBUTED | Title: The Wolff Report: Even Graduate Students Feel Neglected and Lonely | 3/10/1969 | See Source »

...suspicion and resentment. One of our students declared himself unable to think of Harvard as a community of scholars and students. "It is a hierarchy," he said, "and this is the source of our graduate student problems. I feel that we are on the low end of the totem pole." He saw as a regrettable symbol of this hierarchy the fact that all members of this committee were senior professors. For many, the mere fact of hierarchy was annoying. In addition, it was seen as interfering with the open relations and personal interest that were so much desired...

Author: NO WRITER ATTRIBUTED | Title: The Wolff Report: Even Graduate Students Feel Neglected and Lonely | 3/10/1969 | See Source »

...before. They hang from the ceiling; they are transparent, pock-marked or filled with holes, marked by a lightness and informality of both profile and spirit. In the main gallery, the viewer's eye is carried roofward by a giant Alexander Calder mobile that sways like a living totem, then diverted by a gently teetering pair of silver spears by George Rickey. Against one wall, Eva Hesse has lined up a row of 30 glistening clear fiberglass half-box forms, whose intentionally sloppy casting endows them with a bubbly effervescence. Charles Ross's Plexiglas prisms are filled with...

Author: /time Magazine | Title: Sculpture: Floating Wit | 1/3/1969 | See Source »

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