Word: touchings
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Dates: during 2000-2009
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...preserve the magic; the cogs, cams, pulleys and levers at "Fantastical Mechanisms" are all part of the show. American artist Norman Tuck offers practical but surprising demonstrations of scientific principles. In Double Helix, for example, two motor-driven copper spirals twine gently within each other until the moment they touch and reverse the motor. The machines of Russian sculptor Eduard Bersudsky, by contrast, are better read as manifestations of the troubled artist's state of mind. Now living in Glasgow, where his works are shown as a theatrical installation called "Sharmanka" (Russian for hurdy-gurdy), Bersudsky began sculpting in Leningrad...
...onlookers as he drove to the presidential palace, the Casa Rosada, to see President Galtieri. The Argentine leader subsequently told a cheering crowd: "If the British want to come, let them come. We will take them on." He added that Argentina would "inflict punishment" on anyone who "dares to touch one meter of Argentine territory." But the discussions between Haig and the Argentines continued until late that evening. It was after midnight when Haig announced unexpectedly that he would return to London immediately for further talks with the British government. Asked if he had made progress...
Harvard has just made it easier for students to get in touch with their classmates—whether they are in an eight-person seminar or a 1,000-student lecture...
...formation of long-lasting bonds between delegates. These friendships suggest that HCAP does more than simply create interest in another culture, as it sets out to do. Seema Amble ’09, who attended Hong Kong University’s conference last year, has kept in touch with the delegates she met via the internet. “In Hong Kong, they are huge fans of Facebook, so they’re all my Facebook friends,” she says. HCAP provides a uniquely fun and exciting educational experience for everyone involved...
...recessed into the plaster wall as it bends around a corner, for example, and the speakers which play a hopeful Latin tune about Caracas on repeat are hidden by beautiful wood grates.There are details like this everywhere through the exhibit, fingerprints left by Balteo Yazbeck’s personal touch. This is the intimacy afforded by what Balteo Yazbeck calls the “intimate museum”: the connections drawn (both metaphorically and physically, with a thin pencil line ruled against the white walls) are the extremely personal products of one person’s mind. The show...