Word: touchings
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Dates: during 2000-2009
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...delays and label disputes and slowly leaking most of its tracks to the internet. In the half decade since they last released a full-on LP, the boys from Virginia Beach have seen some psychic scarring. Blame the drug game. “I’m on touch with the keys, move over Alicia / I force feed ya the metric scale,” cracks Pusha in the first verse of intro “We Got It For Cheap.” And while the braggadocio doesn’t entirely disappear, it gets stirred up with anxiety...
...teacher. One of its most fascinating attributes is the Info screen, which appears at the touch of a button, appropriately marked "Info." The screen contains all sorts of data, mostly photographic mumbo jumbo. But the screen also has a visual representation of that mumbo jumbo, so you can figure out what it means. For instance, as the number next to the letter "F" goes up, the image of the camera's aperture gets tighter. It doesn't take long to sort out, then, that the higher the "f-stop," the more closed the camera's aperture. Beginners will appreciate...
...SOFT TOUCH "What I like about this brand is that it's a little bit feminine, but you can't tell that to the men who buy the watches," he says. Peraldi also adds a feminine touch to his wardrobe: he wears skirts because they're more comfortable...
...Does the moderate, smooth and dapper Rudd have the common touch? An election is due by late 2007. The Howard government has been under pressure for its part in President George W. Bush's coalition in Iraq and also because of several rises in interest rates. Rudd is the fourth Labor leader Howard has faced in three years. The P.M. always appeared comfortable rumbling with Beazley, less so against the maverick Mark Latham, who assumed the Labor leadership in 2003 at a similar point in the electoral cycle. With a new deputy leader, Julia Gillard, 45, Labor's first couple...
...Gallant Crew,” one of my favorite songs of the night, the sailors welcome their captain as a much-loved coach. Throughout the opera, Hill’s expression wavers between happiness and anxiety—fitting for the slightly-out-of-touch, nervous father of the desired Josephine.Forbess as Josephine is a wonderful soprano, but her character nonetheless falls flat in Act I—perhaps because it is difficult to distinguish her words as she sings. But Forbess comes to life in Act II, going beyond the cartoonish aspect of Gilbert and Sullivan to portray Josephine...