Word: tourel
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Dates: during 1940-1949
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Bright & Bubbling. The festival was not merely a Dutch exposition. Jennie Tourel, perhaps the finest Carmen now singing, gave a performance in the role. The polished Vienna State Opera gave a bright and bubbling performance of Mozart's Abduction from the Seraglio, and was scheduled to perform Don Giovanni, The Marriage of Figaro, and Der Rosenkavalier before the festival ends next week...
Last summer, Hindemith thought he had finally approached his ideal. Manhattan's New Friends of Music asked famed Mezzo-Soprano Jennie Tourel to give the new Marienleben its first performance. Jennie, as good as they come in skill and agility of voice, took a run over the score and gulped. Even after revision, the score was the most difficult Jennie had ever seen. But, she says, she couldn't shake off the beauty of Rilke's poems and the challenge of Hindemith's powerful music. With Pianist Erich Itor Kahn, she worked on it, finally, after...
Last week, an audience in Manhattan's Town Hall got to hear the music that had become "a real labor of love" for both Mezzo Tourel and Composer Hindemith. Incandescent with devotional power and warmth, much, if not all, of Das Marienleben made far easier listening this time. Most listeners found it "noble music" indeed. Japed Jennie, tired, but flushed and excited by the music and the ovation: "Let's go back on and do it again...
...Stokowski chose her to sing the mezzo-soprano solo in the U.S. premiere of Prokofiev's cantata, Alexander Nevsky. Says Jennie: "All of a sudden everything came to me." After her Town Hall debut in 1943, the New York Herald Tribune's Virgil Thomson wrote: "Miss Tourel's conquest . . . was . . . without any local parallel since Kirsten Flagstad's debut at the Metropolitan Opera House some nine seasons...
...Jennie Tourel's phenomenal range, from low G to high C, is three notes wider than the average mezzo-soprano's. Says Jennie of herself: "The voice can be like a violin, it can be like a viola, it can be like a cello...