Word: touring
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Dates: during 1940-1949
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...this leaves Bill Curwen stroking the second boat, with his Varsity cohorts Ted Reynolds and Don Felt behind him at seven and four, respectively. Bob Taggart, who did a short tour of duty with the Varsity early last spring during Jud Gale's absence is at five, with two other Jayvees, Nat Ober and Lou Cox, at three and bow. Ham Fish, up from last year's combination boat, and sophomore Ken Keniston round out the roster...
Zarichny, explained his case against Michigan State, the state-run investigation that followed his expulsion, and the reasons for his nation-wide tour. He claimed that the university is sensitive to academic criticism and that the publicity will make it more wary of curtailing freedom of students in the future...
Louis ("Satchmo") Armstrong, king of jazz trumpeters, went back home for a brief reign as King of the Zulus at New Orleans' Mardi Gras. Buttoned into an outlandish red velvet tunic, and brandishing a silver scepter and a fat black cigar, Satchmo began his triumphal tour at 9 in the morning. Rumbled gravel-voiced Louis as he settled himself on the throne on his gilded float: "Man, this is rich." The parade stopped before the Gertrude Geddes Willis Funeral Home, and the royal party dismounted for a light lunch of turkey and ham sandwiches, pickles, olives and champagne...
...first lap of her second U.S. tour (she sang Mahler's Das Lied von der Erde with the New York Philharmonic-Symphony under Bruno Walter last season), Kathleen finds she has little time now for anything but singing. After her U.S. tour there are two other big engagements on her schedule: 1) Amsterdam, where she will sing Orfeo again with San Francisco's Pierre Monteux conducting, 2) the Edinburgh Festival, where her old coach, Bruno Walter, has promised to be at the piano to accompany her recital...
...studied in Berlin as a child, and even made a concert debut, but he stopped taking lessons when he was ten. When the Nazis came to power, he went to Australia on a tour and stayed there, giving concerts and perfecting, among other things, his high-elbow bowing technique. In 1941, he came to the U.S., got a job as concertmaster of the Cleveland Orchestra-and gave the Bartok concerto its U.S. premiere. When Cleveland's Conductor Artur Rodzinski took over the New York Philharmonic-Symphony in 1943, he asked Tossy to play it again. That was the beginning...