Word: touristed
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Dates: during 1940-1949
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...spite of Italy's veneer of Americanism, however, a tourist feels more an outsider there than in Franco or England. The monuments and the works of art he has come to see are completely unrelated to the realities of post-war Italy: the beggars, the unemployment, the poverty, the ruins. Many of the rivers are still spanned by U. S. army Bailey bridges set on the bombed rubble on ancient edi- fices. Inflation is particularly bad in Italy--the lira is a mere fiftieth of its prewar value. American wallets were much too small for the wads of paper money...
...Field, ostensibly bound for Prague, left his wife in Switzerland and disappeared. After two months Herta Field went to Prague to search for him. She found no trace. She sent a plea to his brother to come and help. Brother Hermann Field, a sometime architect, professor, refugee worker and tourist guide, flew posthaste to Prague and from there to Warsaw in search of Noel...
Without the sobering sight of Vienna, a tourist attending the Salzburg Festival would tend to overlook the dilemma of Austria, for there he would hear one of the world's finest orchestras, some of the best singers, and see good theater in a city which lost only its railway station in the war. Openly buying at the blackmarket exchange rate, he might not notice that lemons are unobtainable because the legal rate of 10 schillings to the dollar is prohibitive to Italian exporters. He would not realize that Austria is a thoughfare for refugees from Eastern Europe. He would...
...cents toil. On the other hand, there are many signs of American influence. The proprietor of a very small hotel in Enkhuizen, where few Americans venture, offered me several copies of "Life" while I waited to use his phone. One Sunday we arrived at the tourist-frequented island of Marken to be serenaded by a large excursion steamer blazing the strains of "Cruising Down the River" by Bing Crosby and the Andrew Sisters...
...Budget. President Estimé, gambling about a fourth of his government's revenues on the chance of winning tourist dollars, seemed satisfied with Schmiedigen's creation. The 1,500 workers, singing as they hammered, spoke of it affectionately as "ti exposition pa'nous" (our little fair). The impresario, a veteran of world's fairs in Paris (1938) and New York (1939), was pleased too. "But," he said, "I've given up hoping that a Haitian worker will ever learn to feel when a line is parallel to another line...