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...some, including producer Newton and director Jacques Tourneur, would argue that beasts in the shadows are far more frightening than blood in the face. For them, imagination fills in the dark spots on the screen better than anything else...

Author: By Peter D. Pinch, | Title: For a Subtle Chill | 4/2/1992 | See Source »

Directed by Jacques Tourneur...

Author: By Peter D. Pinch, | Title: For a Subtle Chill | 4/2/1992 | See Source »

...pioneer immigrant directors -- Maurice Tourneur from France, the Germans Ernst Lubitsch and F.W. Murnau -- imported civilized modes of fantasy, comedy and folklore. But the new exiles had darker stories to tell, and through them Hollywood found its caustic maturity. Here were artists with an outsider's perspective and, suddenly, an insider's clout; they could celebrate the temple of American success while keeping an eye on the cracks in its facade. The industry, or at least that part of it that handed out awards, was grateful: eleven of the first 20 Oscars for best direction went to immigrants, from Frank...

Author: /time Magazine | Title: Cinema: Magic Shadows From a Melting Pot for New Americans, the Movies Offered the Ticket for Assimilation | 7/8/1985 | See Source »

...that might have served Freud as a case study in sexual hysteria. A young woman named Irena believes that if she makes love she will turn into a leopard-whereupon a man falls obsessively, irresistibly in love with her. Thereafter, through the play of sound and shadow, Director Jacques Tourneur suggests that it might be a good idea to take her at her word. The film is very delicately spooky, the more so because no rational explanation for her lamentable condition is advanced, neither hide nor hair of a leopard is ever spotted, and certainly no scene in which woman...

Author: /time Magazine | Title: Cinema: Flesh and Flash | 4/5/1982 | See Source »

This is merely the cream of the evening's deadly jests. The play moves like a venomous centipede through rape, incest, fratricide, adultery and bloody multiple murder. Early on, Tourneur has Vendice say, "To be honest is not to be i' the world." It establishes the odor of a play that contains the stench of sin and a lung-blackening smog of corruption. Robert Brustein, who directs an able cast with a firm, brisk hand, doubtless sees The Revenger's Tragedy as a cautionary parable for a later age steeped in blood and death and degraded values...

Author: /time Magazine | Title: Theater: Blood for the Bony Lady | 12/14/1970 | See Source »

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