Word: towering
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Vegas was in the midst of building a real urban center, trying to turn what was just a break from sanity - fake Eiffel Tower! giant dancing fountain! a dance in every lap! - into a permanent installation of insanity. If we decide that we don't need a resort town that's roughly the same size as Washington, D.C. (which Las Vegas is) - that we can't continue to devote as many resources to gambling, tasting menus, spas, strip joints and nightclubs as we do to our national government - then we finally revert from being a nation of optimistic materialism...
...seeds of its own destruction but hands them out like a Burpee's salesman. An early scene, flashing back to 17th century France, plays like a lost Monty Python sketch. For its modern-day Paris scenes, the movie borrows some set pieces (including the blowing up of the Eiffel Tower) from Matt Stone and Trey Parker's Team America: World Police, an action comedy performed by puppets, from whom the expressionless performers appear to have taken their acting cues...
...last entry on the Padres, I left off the score. The Padres ended up losing that game, 6-1. For this installment of A Fan for Sale, I traveled a little way down the 5 to Angel Stadium for the Twins-Angels game. En route, I could see the Tower of Terror, Space Mountain, and the Matterhorn from Disneyland. A huge plus! Anyway, here’s what I found in Anaheim...
...titled "The Afghanistan Campaign: Can We Win?," raises strong doubts about Washington's willingness to do what he thinks is needed to prevail. Its conclusion is bleak: "The odds of success are not yet good, and failure is all too real a possibility." And Cordesman isn't some ivory-tower critic - he recently returned from a month in Afghanistan, where he served as a member of McChrystal's strategic-assessment group. (Read "Can Afghanistan Support a Beefed-Up Military...
...Within the elegant, futuristic interior, chef Gilles Stassart prepares lunches and dinners that are as changing and captivating as the panoramic views of the Seine, the Eiffel Tower and the Parisian cityscape. Something of a philosopher, Stassart challenges the notion that "a meal is simply something to nourish us, and taste but a sensation in your mouth." He is also given to discoursing on the ancient conflict between Apollo, god of the arts, reason and harmony, and Dionysus, god of wine, ecstasy and disorder. "Philosophically, we are trying to set aside this opposition between the body and soul," he declares...