Word: towers
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Dates: during 1980-1989
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...response was that Congress' failure to pass the pay raise made his job--which would have paid $120,000 under the proposed legislation--an $80,000 job. Small beans for someone who could likely be making over $100,000 elsewhere. And, he said, "Remember John Tower. Who wants to go through that scrutiny...
...Blackfeet Indians. In its halcyon days, which lasted a quarter- century, the post dominated the upper Missouri from behind an elegant, whitewashed palisade. Annual steamboats brought artists and ethnologists. The bourgeois, or superintendent, maintained a splendid table, and French wine flowed in an imposing residence topped with a bell tower. With its bastions of stone and 63-ft. flagpole aflutter with Old Glory, Fort Union conveyed a flashy, mercantile style and substance until smallpox twice struck the Indians and homesteaders encroached on their lands, eclipsing the trade. By 1866 the once proud post had lapsed into disrepair...
...question now arises at the Pepsico Summerfare festival in Purchase, N.Y., where Sellars' versions of the three operas that Mozart wrote with Lorenzo da Ponte are all being restaged. The Marriage of Figaro (1786) is set in Manhattan's Trump Tower, Don Giovanni (1787) in Spanish Harlem and Cosi fan tutte (1790) in a sleazy diner called Despina's. Nor does the Sellars game end ) there. At 31, the aging enfant terrible is talking of deconstructing Idomeneo in Brussels and The Magic Flute at Glyndebourne...
...orchestra, like Sellars' repertory company of gifted young singers, performs admirably under the deft and scrupulous conducting of Craig Smith, and so it is a pleasure to find that Sellars has pretty much left the performers alone in one of the three operas, Figaro. The setting in the Trump Tower is no more than a mild gag, not another excuse for wholesale Sellarsization. Donald Trump does not appear from behind a bush. The singers just sing, and sing beautifully. What a relief...
...Giovanni in Spanish Harlem? Figaro in Trump Tower? Why? A skeptical view of Peter Sellars' zany productions of three Mozart-Da Ponte works...