Word: townes
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Dates: during 1940-1949
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...They go to parties because they have to: drawing rooms are their workrooms. But they miss the sure social structure of London, the intellectual tone of Paris, the darkened grace of Rome's great palazzi. They deplore the fact that official Washington society is made up of small-town politicians, uninteresting businessmen, journalists, and wives who wear the same dress three or four times. Embassies used to be consecrated ground for uninhibited splendor-but no longer. Now host and guest alike feel a little self-conscious about lavish suppers when the U.S. is doling out aid to the ambassador...
Perle is go-getting and able in her own way. She is a money-raiser extraordinary. At Harry Truman's request, she hustled her checkbook out to Kansas City in 1946, saved the day for his campaign to purge his home-town Congressman, Roger Slaughter. As co-chairman of last year's Jefferson-Jackson Day dinners, she raised $250,000, kept at it doughtily during the campaign. Declared Louis Johnson, chairman of the Democratic Finance Committee: "When our crowd got discouraged, Perle Mesta would raise hell. She called us men of little faith. She was a tonic...
...fine. It's knocking me out-I've blowed my top." Blowed it he had. When the King failed to show up and blow his horn at the Zulu Ball that night, his Duke explained: "Man, that old Satchmo done drunk up all the champagne in this town...
...first graduate school of nursing in the U.S. He was proud of the fact that he had built the tallest structure in New Haven (the 253-ft. Harkness Tower), professed to be bitterly disappointed when a gas company built a tank seven feet higher on the other side of town...
...Town Hall, Contralto Ferrier had no topnotch Glyndebourne production behind her, although she did have a familiar Euridice opposite her: U.S. Soprano Ann Ayars, who had sung the role with her in England and on records.#&134; But Conductor Thomas K. Scherman's Little Orchestra (38 players) and 40 singers from the Westminster Choir got into the graceful spirit of Gluck's music with the overture, and stayed in it to the last gaily triumphant note. It was, however, the dramatically restrained passion of Kathleen Ferrier's singing, in a voice that is even and full through...