Word: townshend
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Dates: during 1970-1979
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...most of their time in a house on the edge of London. They also own an establishment in Gloucestershire consisting of eight houses spread over 52 acres. Entwistle's songs, which are like nightshade valentines, show up on Who albums often as a kind of bleakly bemused counterpoint to Townshend's. He is also a skilled caricaturist and is now drawing A Cartoon History of The Who. In this work, Entwistle made up imaginary ancestors for each of the band members based on some of their salient characteristics. There is, for example, a certain Wild Bill Daltrey, a tightwad gunslinger...
...Townshend, who wrote an ironic song about tour life called Romance on the Road, not yet released, is in typical fashion drawn in both directions about it. He can see through the romance like a pool, even as he dives into it. "He's perfectly capable of getting off the plane in New York and staying drunk for the entire tour," says one of his friends. A talk with Townshend at the best of times is a hopscotch game in a minefield. This is part of what he means when he says, with some melodrama and a strong measure...
...rock fan can recite the litany of tragic burnouts; whether Pete succumbs remains a matter of strength and a certain kind of sure footed brinkmanship that until now has kept Townshend writing and The Who performing true lifeline rock 'n' roll. The members of The Who know what this music means, know its power and its necessary mutability. They also know what it means to the kids, not just a quick charge and an antic rush in a minute of concert footage but a change as potentially profound as any art can work, and even more immediate. All of this...
...found itself performing after a crowd stampede that killed eleven people. The tragedy took place outside Riverfront Coliseum as thousands of kids holding unreserved seats charged across a concrete plaza toward two unlocked entrances. The group had not yet come onstage. "If it had happened inside," said Townshend, "I would never have played again." The musicians could not be blamed and, indeed, did not learn what had happened until after the concert. They were shattered, and, for a time, considered that in some way they might be responsible. The Who knows as well as its fans that, since the group...
...long time, back in their early days, the four received a great deal of notoriety for smashing their instruments at the end of each performance. It was, at first, a flashy, frightening and finally exhilarating thing to see. Drummer Keith Moon blew up his drum kit, and Townshend rammed the neck of his guitar into his amp, while Daltrey slammed his microphone against the stage and Entwistle held tight to his bass, playing stubbornly on like a shipwreck's lone survivor trying to keep dry in a leaking lifeboat. There was too much discussion about how all this was rock...