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...week's production was fitted out with a new English translation by Ann Ronell, who angrily asked that her name be dropped from the program after the Met cut various changes she had made in the original libretto. The performances-by Victoria de los Angeles, Rosalind Elias, Giorgio Tozzi and Tucker-were generally first-rate. But to modern ears, Martha's music seems hopelessly dated and sickeningly sweet. The heroine was probably echoing more of her listeners than she knew when she warbled...

Author: /time Magazine | Title: Music: The Last Rose of Flotow | 2/3/1961 | See Source »

Verdi: Requiem (Leontyne Price, Jussi Bjoerling, Rosalind Elias, Giorgio Tozzi; Vienna Philharmonic and Vienna Society of the Friends of Music, under Fritz Reiner; RCA Victor, 2 LPs). A clean-lined, beautifully balanced and honest version, full of tranquil breathing space. The performances by Tenor Bjoerling, in his last, full recording role before his death, and Soprano Price, at the incandescent top of her form, stand out as stunning achievements...

Author: /time Magazine | Title: Music: Classical Records | 12/5/1960 | See Source »

...match the flogging power of the Shostakovich orchestration, a first-rate cast was called for, and the Met supplied it: Giorgio Tozzi, Ezio Flagello, Norman Kelley, Kim Borg, Blanche Thebom. The immense chorus sang the English text (by John Gutman) with both volume and admirable clarity. But the clear triumph of the evening belonged to Baritone George London in the title role. His Boris, which he sang with great success during his recent tour of Russia, was passionate, anguished, suffused with an almost unbearable sense of racking inner tensions. As London played it last week, it clearly belonged among...

Author: /time Magazine | Title: Music: Pre-Vintage Verdi | 11/7/1960 | See Source »

These famous words, written by Bartolomeo Vanzetti shortly before his execution with Nicolo Sacco in 1927, may well be sung before long from the stage of the Metropolitan Opera House-and quite an aria they would make for Leonard Warren or Giorgio Tozzi. Last week the Met announced that it has taken an option on a Sacco-Vanzetti opera by 55-year-old Composer Marc Blitzstein, to be written on commission from the Ford Foundation...

Author: /time Magazine | Title: Music: A Hell of a Noble Story | 3/7/1960 | See Source »

...conducted by 29-year-old Thomas Schippers. In the role of the Dutchman (equated by Wagner with both Odysseus and the Wandering Jew) Baritone George London was convincingly demon-ridden, his voice fresh, passionate but controlled. In the comparatively minor role of Daland, the Norse sea captain, Bass Giorgio Tozzi-convincingly costumed in turtleneck sweater, jacket and boots-sang with warm-timbred verve, while Tenor Karl Liebl turned in his best performance of the season as the huntsman Erik. But the real standout of a standout cast was Soprano Leonie Rysanek in the role of Senta, the self-sacrificing heroine...

Author: /time Magazine | Title: Music: Dazzling Dutchman | 1/25/1960 | See Source »

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