Word: tracee
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Dates: during 1970-1979
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...Hofstetter which made up the first half of the program. Soll's frequent collaborator, Hofstetter, distilled the movement style they both favor and offered it bone-dry: a sequence of movements executed four times with four different spatial orientations. One figure (Hofstetter) walks at a visually imperceptible pace to trace the boundary of the performing space...
...film itself is an even more turbulent saga than the brouhaha surrounding it. Bertolucci uses the lives of two friends born on the same day in 1900 to trace the major social and political upheavals of 50 years of Italian life (a better English rendering of the title, Novecento, might be Twentieth Century). Bertolucci's bias is frankly Marxist. His scenario, set in the rural Po valley, celebrates the rise of the Communist movement among the peasants and its ordeal under decadent landowners and brutal Fascists. Is this waving of the Red flag the real reason for the movie...
...casual observer of Canadian affairs is probably unaware of the cultural differences that exist between the French-Canadian and his English-speaking counterpart. Sociologists generally trace current social problems to historical origins; and Canada's problem is no exception. Until the defeat of French soldiers by the British on the Plains of Abraham in 1759 the French played the major role in developing the territory now known as Canada. In the tradition of British colonialism, the vanquished French were allowed to exist alongside their conquerors, maintaining their own language, religion, and culture. As a result Canada became a cultural mosaic...
...able to trace my lineage in America eleven generations. Unfortunately, my ancestors liked King George more than George Washington, and as a result they lost most of their considerable lands in 1776. My eight-year-old son's reaction is, "What kind of crazy people were they...
...director Norman Ayrton's credit that throughout most of the two and a half hours of War and Peace, the historian's illusion of control is sustained. By coloring the play's war scenes with two large slide screens that at times trace Napoleon's progress across the map of Europe and at times stain the background with a dull blood red, Ayrton gives the soldiers' disordered flights a suggestive significance beyond the mere chronicling of events. And by frequently isolating the characters at opposite ends of the stages, Ayrton lends to the few joint tableaux an emotional compression that...