Word: tracee
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Last week, however, Sandy O. Steingard '77 a Crimson Editor, said she specifically searched for the sign in the window, but found no trace of it, and Christopher F. Nocodemus '79 said yesterday that he had "no recollection of seeing any sign" when he went to Bic's for ice cream last week...
...shows here over the past 6 years. The two series presently on exhibit, "Folklore" and "Circus," justify the gallery's committment; Kieff proves himself a master of polished bronze. The "Folklore" works, like tales, sweep through time and space. Symbolic continuums of metal, they demand time to trace their complex curves and planes, yet unify their motion in abstract patterns which seem as natural, yet are as carefully structured, as plot elements in a folk tale (three brothers, wicked step-mothers). "Ciecus" is more subtly rooted in both reality and bronze. The forms play with composition and abstraction, juggling shapes...
...typically, with an echo and a shimmer of light musical phrases that remind you a bit of temple bells shivering in the wind. Then the percussion enters, muted yet enriching the sound, and finally the melody--simple and repetitive but constantly branching off in unexpected and spontaneous harmonies. You trace the saxophone's part much as you are drawn by a strand of gold in a piece of cloth. It glows and enriches the fabric and the fabric, (or musical backing) in turn, keeps the shimmer from ever becoming brassy...
...Brown feels comfortable attempting to trace the chain of causality that led to the arrests of two weeks ago, yet theories abound. Some students--especially those most deeply involved in the pro-strike activities of the past several weeks--feel that the strike has thrown the campus back to a '60s-like milieu; the classic confrontation between Administration and Radical Student is again being played out, but with an internal labor dispute, rather than a war, the principal bone of contention. They point out, perhaps justifiably, that the only movement in the strike--which began, for nearly 350 service workers...
...Oslo in 1863, second of five children in a family much battered by medical tragedy. Denounced and vilified at the outset of his career. Munch was accepted, even extolled, as he grew older. Watkins also tries to tunnel into Munch's creative spirit, to watch him work and trace his themes of violent mortality and sexual betrayal to their psychic roots...