Word: tracee
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Shouldn’t someone else take over the investigation when it becomes clear that Breckinridge is too tied up in it to complete it appropriately? Why can’t they trace Garrison’s phone records when he goes rogue? Why does Breckinridge clear Garrison after being so certain of his guilt, before he receives the key information proving Garrison’s innocence? Why is the first lady, who should be the strongest female character, a passive slut...
...their keepers’ dark pleasures. Babies born to captive mothers were given to officers, thus erasing their identities. Thousands ended their existence in “death flights”: airplanes from the Buenos Aires airport threw them into the river with deadweights to leave no trace. Fleeting memories drowning in the silence of cold nightly tides: desaparecidos. 1976 is the perfect symbol of the Latin American decade. That year, 11 of 20 Latin America countries were governed by military regimes. The United States and Europe not only overlooked human right abuses, but they actively helped the regimes...
...while, the two-dimensional acting will completely and utterly bore you. There is barely a palpable plot – two gay men in New York City, Adam (Chester) and Steve (Malcolm Gets) must overcome an animalistic sexual attraction to find true love – and nary a trace of dinginess ever creeps into the East Village setting...
Manzano's claim to be the chair capital goes back centuries. An 8th century altar in nearby Cividale contains the first trace of chairmaking. During the Renaissance, local carvers and carpenters from the region had their hands full with orders from Venice, 75 miles away. Production of chairs for the masses began in the 1800s, but the real boom came after World War II. Big distributors, primarily from Germany, discovered the local craftsmanship and started buying in bulk, turning Manzano chairs into a $1 billion-a-year business. To cope with the demand, the number of firms grew tenfold...
...Fucking Lovely Day,” in which a villain remarks on the beauty of scheming and deception). Instrumentation is varied—Merritt employs sounds as diverse as the autoharp, the Chinese jinghu, and the lute—but the arrangements are kept open and airy, with little trace of the synthesizers that buoy many of his other projects. As always, Merritt’s music has a simple, appealing exterior that belies the sharp conflict running beneath. “Shall We Sing a Duet?” features a pair of vocalists exchanging proclamations of love?...