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...with occasional subtle strings or horns. Piano parts often serve as second bass lines, guitars pluck high harmonic, and drums are generally satisfyingly Zeppelin-like. The real beauty of the album, though, comes from the strong melodies—every track is pretty, and “Everything on Traces?? (“Alle auf Pause”) and the opening “Plan” are gorgeous. Song structures may be straightforward, but never boring. As great minimalists from Steve Reich to Chuck Berry have always known, the beauty of repetition comes from slight variations...

Author: By Daryl Sng, CRIMSON STAFF WRITERS | Title: In the Mix | 4/27/2001 | See Source »

...with occasional subtle strings or horns. Piano parts often serve as second bass lines, guitars pluck high harmonic, and drums are generally satisfyingly Zeppelin-like. The real beauty of the album, though, comes from the strong melodies—every track is pretty, and “Everything on Traces?? (“Alle auf Pause”) and the opening “Plan” are gorgeous. Song structures may be straightforward, but never boring. As great minimalists from Steve Reich to Chuck Berry have always known, the beauty of repetition comes from slight variations...

Author: By Andrew R. Iliff, Sarah N. Kunz, and Josiah J. Madigan, CRIMSON STAFF WRITERSS | Title: New Albums | 4/27/2001 | See Source »

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