Word: traces
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...late Father Robert Leiber, the German Jesuit who for more than 30 years was the Pope's private secretary and confidant. Leiber's article told of large numbers of Jews who were hidden inside the Vatican during the German occupation of Rome. Waagenaar could only trace one family of eleven who were given safe harbor, and in that case one of the daughters was engaged to a young Catholic who was related to a priest living in Vatican City...
...C.R.P. campaign-contribution reports, the Justice Department has been unable to find any record of the $25,000 cashier's check, nor is there any trace of the $89,000. The records, if they ever existed, vanished by the time the agents came to examine them. Among other things, the investigation now raises additional questions about the tactics of the committee in preventing disclosure of the identity of wealthy donors during the campaign. A congressional act requiring such disclosure became effective April 7. But the C.R.P. received the $25,000 check on April 11. According to the Justice Department...
...best singing. He said that the best was gone. "Twistin' the Night Away" is a tribute to Sam Cooke, Rod Stewart's personal idol. The song is not done with Cooke's smoothness, but that's not Stewart's style. But it's done well, with no trace of its datedness, as it's given a hard rock treatment. Measure enough of Stewart's homage and respect...
...samples on this page indicate, the photographs trace Marilyn's growth from teen-ager to star, catching her in all of her many moods. "I wanted to show how she changed," says Schiller, "from pimples and pigtails, in and out of baby fat as she went through traumas." Schiller is preparing 30 copies of the exhibition to tour other U.S. cities, and he is also negotiating with several book publishers to reproduce it in a hard-cover memento of the Monroe magic...
...playing of the Liszt Hungarian Rhapsodies (Nos. 12 and 17) was startling--without a trace of the vulgarity usually read into this composer's works. One might argue for a "grander" rendition of no. 12, although I was quite satisfied to hear, for once, the purely musical aspects of Liszt. The absence of ostentation was particularly appropriate in the more austere, tonally ambiguous seventeenth Rhapsody, in which it is evident, contrary to popular notion, what a serious composer Liszt often...