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...Prime rib 83 31 Lamp chop 66 25 Sirloin steak 59 22 Pork chop 20 8 Roasted chicken breast 8 3 (no skin) Broiled fish 2 trace...

Author: /time Magazine | Title: What You Need to Know About ... Meat, Fish & Eggs | 10/20/2003 | See Source »

Thebaud arrives to meet us in a casual chic outfit of jeans and a black peasant top layered over a collared shirt. As we walk to her room in Winthrop, Neill begins the analysis. “Are you a clotheshorse?” she asks. Without a trace of hesitation, Thebaud replies in the positive, then backpedals, “Most of what I have, I wear...

Author: By Véronique E. Hyland, CRIMSON STAFF WRITER | Title: Closet Case | 10/16/2003 | See Source »

Battlement Mesa, the company town that was to be the hub of the new industry, still exists, but not for oil-shale workers. It has become a retirement community. Against a backdrop of majestic mountains, retirees pump iron, hike scenic trails, swim and play golf. There's no trace of the Exxon project that was supposed to be shale oil's breakthrough. All vestiges of the mine and outbuildings are gone. The road leading to the plant site is still there, but it abruptly ends at the top of the hill. The land has been reclaimed and today looks much...

Author: /time Magazine | Title: Asleep at the Switch | 10/13/2003 | See Source »

...than he did to the 19th century that rediscovered him. Manet, who admired his portraits, still pronounced him "bizarre" overall. But now, after the fractured space of Cezanne, the shivering stridencies of Klimt and Kokoschka, the old Greek is not as much of a challenge anymore. There are even trace elements of his tussling space in the tangled drippings of Jackson Pollock. What El Greco remains is a jolt to the senses. In the superabundance of his strange devices, there are still things that shock. In the El Greco show that opens this week at the Metropolitan Museum...

Author: /time Magazine | Title: Art: Thunderbolts Of Ecstasy | 10/6/2003 | See Source »

...Groys, co-curator of Dream Factory Communism - the Visual Culture of the Stalin Era, at the Schirn through early January. "The difference was that Stalin's was conducted by a totalitarian state and used to promote a single product - communist ideology." The show's 200 paintings, posters and films trace the development of Soviet "agit-art," from its inception in 1918 among the painters of the Russian avant-garde to the heyday of Socialist Realism in the 1930s and 1940s. One reason it became so effective was that, especially in the early years, it was artist-driven. There was oversight...

Author: /time Magazine | Title: Selling Joe Stalin | 10/5/2003 | See Source »

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