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...Though the passenger jet's exterior appeared intact, its cockpit windows were obscured by what looked to be a "light coat of frost." Over the next two hours, four other F-16s shadowed the plane. By then, the roving aircraft had made the news. Stewart's Australian-born wife Tracey heard it on a TV news report and tried in vain to call her husband on his cell phone. At about 1:24 p.m., the plane fell to earth at 600 m.p.h. and disappeared from radar...

Author: /time Magazine | Title: Death On Autopilot | 11/8/1999 | See Source »

Some CDs have a single great song that leaps out at you. Some of the best CDs, however, have a kind of engaging mutability: every song is a potential winner, and your favorite track changes with your mood. That's what Tracey Moore and Mercedes Martinez have created. The neo-soul singer-songwriters may have a ridiculously unwieldy group name, but their CD is fabulously smooth, good from start to finish. With old-school heart and new-school attitude, they're Roberta Flack plus Sade with a little D'Angelo thrown...

Author: /time Magazine | Title: Music: The Once And Future | 10/25/1999 | See Source »

Hartwick was able to deal with the Crimson offense even without two of its starting backs. Peter Slobodyan (knee sprain) and Ryan Tracey (deep thigh bruise) missed the game with injuries...

Author: By Barat Samy, CONTRIBUTING WRITER | Title: M. Soccer Falls again to Hartwick, 3-1 | 10/18/1999 | See Source »

...Tracey McNamara had never seen anything like it. In July, dead crows began turning up by the dozens at New York City's Bronx Zoo. By August, McNamara, the zoo's staff pathologist, had collected carcasses of 40 birds. Meanwhile Dr. Deborah Asnis, an infectious-disease specialist at Flushing Hospital in Queens, reported the admission of two elderly patients with muscle weakness, fever and confusion...

Author: /time Magazine | Title: Of Mosquitoes, Dead Birds and Epidemics | 10/11/1999 | See Source »

Throughout the show, there's an obsession with the body, leering humor about sex and yammering about death. Tracey Emin's canvas tent called Everyone I Have Ever Slept With (1995) is done inside with crudely laid-out names and notes about old paramours. It camps out a short distance from Mona Hatoum's more elegant but hardly deep creation (despite its title, Deep Throat): a dining table with proper tablecloth and silver, and a plate whose bottom is a video screen showing the travels of an invasive camera down a human gullet...

Author: /time Magazine | Title: Art: Shock For Shock's Sake? | 10/11/1999 | See Source »

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