Word: tracing
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Dates: during 1980-1989
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...Neil Simon's place in Brighton Beach, Woody Allen's old home under the roller coaster at Coney Island, and even Alexander Portnoy's house of horrors in Newark. But this is not nostalgia; the fuzzy sentimentalism of memory is replaced here with a genuine anger, and even a trace of contempt...
...distraction from his work Roth most willingly tolerates is baseball. "My fandom," he says, without a trace of irony, "is the most interesting fact of my life." He talks eagerly about going to games as a boy and watching the old Newark Bears of the International League along with his older brother Sanford and his father, now a retired insurance-company executive. His boyhood passion was the Brooklyn Dodgers. "I went off to college, and then the Dodgers went off to L.A.," he says, shaking his head. Eventually, he transferred his allegiance to the New York Mets. Last summer...
While many companies have disengaged themselves from South Africa, MacDougall said that "it has been impossible to trace divestment actions to [companies'] pullouts...
...family left war-torn Manila for the U.S., the 13-year-old Filipina with bobbed hair enrolled in the Ravenhill Academy, a Catholic girls' school in Philadelphia, and later in the Notre Dame Convent school in New York City. Cory's four college years passed with scarcely a trace at the College of Mount St. Vincent, a small Catholic women's college in the Riverdale section of the Bronx. The self-contained student occasionally entertained her classmates with Filipino dances but otherwise kept to herself, spending spare hours with an elder sister and returning home to the Philippines...
...only reporter in Front Page who shows a residual trace of decency is Hildy Johnson (Richard Thomas), who wants to give the game up for a safe, lucrative job in advertising and marriage to a wholesome, dependable woman. To do so, however, he must abandon the newsman's one true romantic attachment: to the other boys in the pressroom. Seducing Hildy back is his editor Walter Burns (John Lithgow), a consummate user who plays to the reporter's vanity and yearning for power. The 6-ft. 4-in. Lithgow resembles a giant python, fixing victims with his stare, crushing them...