Word: tracings
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Dates: during 1960-1969
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Church History 125. Origins of the New Parochialism. M., W., F., Sun. at 8. Assistant Professor P. Jungle Corkery. An attempt to use sociological "method" to trace the growth and progress of anti-rebelliousness in selected Anglo-Saxon communities of the 8th century A.D., and to relate the growth of this phenomenon to the current resurgence of New Parochialism as a way of life...
...serene, 121 men died in one of the most bizarre coincidences in naval annals. Hundreds of miles but only some 24 hours apart, an Israeli and a French submarine were lost in separate, unconnected and equally mysterious disasters. Sinking swiftly to great depths without leaving as much as a trace to guide searchers, Israel's Dakar went down somewhere between Cyprus and Haifa and France's Minerve only about 25 miles from her home berth at Toulon. Their entire crews-69 Israelis and 52 Frenchmen -were lost with them...
...human consumption. A Greenland hunter has been assigned to hunt for seal and walrus specimens; they will be examined for radioactivity by scientists who will later obtain more specimens for a comparison that will determine if animal life is gradually picking up radioactive contamination. Other Danish scientists will trace the possible route of contamination once the midsummer thaw starts and water from the melting ice begins flowing into Baffin...
...seven years since he first began soldering his elfin evocations of the machine age, Günter Haese has become one of West Germany's best-known artists. Critics rave about his "artistic equilibrium," trace his lineage to Paul Klee, and dub him "the juggler of modern art." He was given a one-man show at Manhattan's Museum of Modern Art in 1964, helped represent West Germany at the 1966 Venice Biennale. Last month his open cube of wire-works and quivering copper balls, Olymp, became one of the four purchase awards winners at the Guggenheim...
...again. Olden burg thereupon solemnly proclaimed the result a buried, invisible sculpture. Last month it was time for the West Coast's retort. At Los Angeles' Century City, three young artists constructed a sculpture that disappeared slowly before the spectators' eyes, vanishing without a trace within 24 hours. The form: a 110-ft.-long, 15-ft.-wide, 22-in.-high labyrinth. The material: dry ice, shaped into blocks and costing $1,200, which was contributed by a subsidiary of Union Oil as part of an outdoor show of more permanent pieces...