Word: track
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Dates: during 2000-2009
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...Arabian guitar. Here, Radioclit process Mwamwaya’s rich vocals with a vocoder, electrifying and stiffening his voice to levels well below the T-Pain and Imogen Heap side of the spectrum so he maintains some of his trademark warmth while providing the crisp, electric harmonies. Throughout the track, a lone, hopeful violin pours lethargically beautiful lines over the dense and ambling drums that are intermingled with the percolating, rhythmic noises blissfully simmering below the surface...
...these songs, however, pale in comparison to “Mfumu,” or “King,” the best track on the album. The glitchy bells and high-hat dance across the sturdy beat of the kick drum while Mwamwaya performs aural acrobatics high above. Listening to this song is like staring out of the open moon roof in a moving car on a clear night: grand, yet intimate, life-affirming and filled with wonder...
...Panda Bear. From start to finish, “Walkabout” is four minutes of musical genius. Led by drums, carried by a buoyant rhythm, backed up with a pronounced electronic riff, and topped off with a serenade of jolly vocals, it’s a track to be reckoned with. “What did you want to see? What did you want to be when you grew up?” Lennox asks repeatedly during the song’s chorus. The somewhat childish and innocent tone of these lyrics does not hinder the song?...
...reminiscent of Pavement’s 1992 epic “Fillmore Jive,” but it has none of that song’s musical variety or piercing lyrical attack. Jokes that fall flat include “Stolen Pills” and, above all, the bonus track, which features an elderly British woman essentially doing a send-up of a Judi Dench accent while introducing the album. Yet these clunkers are more than compensated for by the album’s highlights: “Cold Change” and “Mighty Mighty Fall?...
Frustratingly, a number of songs use poorly-chosen passages from the novel to create banal lyrics. For instance, on the track “These Roads Don’t Move” lines like “These roads don’t move / You’re the one that moves,” are surely meant to feel prophetic, but instead just feel insipid. As anyone even vaguely familiar with Beat literature can attest, Kerouac’s writing offers more beautifully composed images than those selected by Gibbard and Farrar to depict in song...