Search Details

Word: tracked (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

SATORI IN PARIS, by Jack Kerouac. The zestful, pie-eyed piper of the beats relates the details of a wacky safari to France in a vain effort to track down some supposedly noble Kerouac ancestors...

Author: /time Magazine | Title: Television: Jan. 13, 1967 | 1/13/1967 | See Source »

...James J. Hill by contesting what has come to be called the Great Northern case. The question before the Justices: whether, and on what terms, to approve the merger of the Pennsylvania Railroad and the New York Central into a $6 billion line stretching over 20,000 miles of track that would represent the largest private rail system in the world. By coincidence, the week also marks the fifth anniversary of the occasion on which the Pennsy and the Central formally announced their plans. The fact delaying lengthy legal battles four times since have stalled the merger is an indication...

Author: /time Magazine | Title: Railroads: Let Them Eat Cake | 1/13/1967 | See Source »

...hours in its own plot complications. Arthur spends too much time on his dreary characters, barely managing to solve their problems and tie-up the loose ends for the finish. He introduces an English driver (Brian Bedford) who competes neurotically to break the track record of his dead brother, a one-time world champion. But Arthur soon forgets about his elaborately stated plot premise and does nothing with the character. An American (James Garner), supposedly the lead character, has such little function he hardly appears in the second half. The mechanies of the final race, involving the death...

Author: By Sam Ecureil, | Title: Grand Prix | 1/6/1967 | See Source »

...Grand Prix's mediocrity is basically a consequence of poor photography and editing. Certainly some of the isolated shots in the racing sequences are excellent, a triumph of MGM's technical facilities. But as soon as Grand Prix leaves the track, it becomes an ugly film. There are eight directors in Hollywood who know how to use wide screen. They are George Cukor, Nicholas Ray, Otto Preminger, Douglas Sirk, John Ford, Fritz Lang, Frank Tashlin, and Budd Boetticher. Not John Frankenheimer...

Author: By Sam Ecureil, | Title: Grand Prix | 1/6/1967 | See Source »

...same old story after vacation every year--the track team gets a little out of shape. But that shouldn't matter too much today when the boys meet weakling Boston College at Briggs Cage...

Author: NO WRITER ATTRIBUTED | Title: Trackmen Meet Weakling Eagles | 1/6/1967 | See Source »

Previous | 166 | 167 | 168 | 169 | 170 | 171 | 172 | 173 | 174 | 175 | 176 | 177 | 178 | 179 | 180 | 181 | 182 | 183 | 184 | 185 | 186 | Next