Word: tracked
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Shearwater’s romanticism is perfectly reflected in the opening thirty seconds of the album. Before even a note is played, a profound tribal song, reminiscent of a prayer, greets the listener. This prologue segues into the first track, “Meridian,” which continues to be a testament to the group’s talent. Shearwater expertly create a rich texture through guitar and multiple percussive instruments, including bells, while Meiberg lyrically juxtaposes the peaceful ocean with violent warfare. Cymbal rushes wash powerfully over the listener, simultaneously invoking the sound of ocean waves and exploding...
Accompanying Meiberg’s affected voice are his equally affected lyrics. A particularly insufferable track is “Corridors,” which depicts a man being tortured by the man-made world. At the climax of the song, Meiberg screams out, “Chain him to the burning carousel / Till the horses tire / Blast away the bearings of his life / Till his eyes are wild / Till his eyes are white.” This violent imagery is the epitome of how appalling Meiberg’s hatred for the man-made can be. Yet his overbearing...
...Mangan’s skiing career closes out, her successes were hardly in vain. Not only has the senior turned in impressive performances on her own, but her improvement over her three years on the team (Mangan ran track freshman year) suggest that the Crimson may be better at developing talent than one might expect from its urban location...
From within the Film track in VES, Zimbler benefits from a department steeped in tradition and generous with its grants. While not as career-oriented as other school’s programs, the track offers students both conceptual grounding and creative experience in an economy increasingly hostile to independent filmmakers...
...addition to the strong conceptual education that students receive, Harvard’s filmmaking program is exceptional in its age and establishment. The Film track of VES was founded early, in 1969. Despite its small size, it boasts several notable graduates, including Mira Nair ’79 (“The Namesake”) and Darren S. Aronofsky ’91 (“The Wrestler?...