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...Gibson’s feedback-soaked bass rattles the hi-hat before diving into a riff as catchy as you can expect from the borderline noise that is Lightning Bolt. Multiple effects chains are audible above Chippendale’s machine gun drumming, and the latter half of the track features multi-tracking that would have been unthinkable in the band’s early days. The result is a thick tangle of dissonance that can hardly be traced to the single, humble vibrating string from which it emerged...

Author: By Mark A. VanMiddlesworth, CRIMSON STAFF WRITER | Title: Lightning Bolt | 10/16/2009 | See Source »

...Soft Bulletin” to life. But the relationship between the two records is almost totally inverted: while “The Soft Bulletin” brought a cinematic—at times even an operatic—sensibility to its structure, emphasizing the individual track as an autonomous episode within a greater, looser narrative, “Embryonic” reverts the energy of the single track toward a teleology that is itself the album-whole. It’s dense, menacing, and groove-oriented in a way that reminds the listener of the Talking Heads?...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: The Flaming Lips | 10/16/2009 | See Source »

...wonder Modern English, with a hint of Sigur Rós mysticism. The project, while coming somewhat near a rousing post-generation-Y anarchist spirit, ultimately fails at both creating a niche for itself and inspiring the alternative attitude so intended by the 11-track record...

Author: By Qichen Zhang, CONTRIBUTING WRITER | Title: Little Girls | 10/16/2009 | See Source »

Without comprehensible lyrics, the entire album relies heavily on its musical originality to justify its artistic endeavor, taking a risk with highly artificial melodies and voice tracks. “Youth Tunes” initiates the record with a synthesizer and a staccato guitar rhythm, while an odd, indiscernible voice warbles in the background and the guitar strums become progressively more ravaging. “Imaginary Friends” insists on an innocent nostalgia with its lilting yet pressing “oh’s,” attempting to pass off its gibberish as distinguishable lyrics...

Author: By Qichen Zhang, CONTRIBUTING WRITER | Title: Little Girls | 10/16/2009 | See Source »

...album closes with “Growing,” making use of a not-so-subtle, save-the-best-for-last strategy. With a scratchy yet catchy melody complemented by a chipper pulse and moody vocalization, the ultimate track conceptualizes the youthful loss of the post-punk generation better than the 10 other songs prior to it. But even this finale can’t make up for the fuzzy blend of unclear intentions in the rest of the album, as McIntyre’s electronically-produced mumbles fade away into an abyss of lo-fi pop, void...

Author: By Qichen Zhang, CONTRIBUTING WRITER | Title: Little Girls | 10/16/2009 | See Source »

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