Word: tracking
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...contemplative and reborn artist engaging in a weighty wrestling match with concerns ranging from the White House to a bout with breast cancer to a broken engagement with cycling star Lance Armstrong. The political material comes first, and it comes strong. The album’s first and shortest track, “God Bless This Mess” might well be its best. With an acoustic guitar and a set of scratchy, vinyl-sounding vocals, Crow brings us a sobering vision of a country moving from the unifying emotion and tears of 9/11 to a much less galvanizing involvement...
...somber anthem propelled by resonant marching drums and dreamlike chanting, leads into what could be British Sea Power’s most instantly likable song since 2003’s “Remember Me.” Second track “Lights Out For Darker Skies” is a post-punk epic featuring crashing cymbals and descending guitar lines, ending with an optimistic call and response proclaiming, “Hey now, now / Oh, the future’s bright.” At six and a half minutes in length, the song is unlikely...
...point setback against a solid Brown team last weekend. “It’s definitely been a while and we’ve always played well at home,” junior forward Evan Harris said. “Hopefully we can get back on track this weekend.” Harvard will likely have to be at its best to emerge from this weekend with a pair of victories, as Cornell and Columbia are both coming off home weekend sweeps over Princeton and Penn. Cornell (14-5, 6-0 Ivy), the preseason Ivy League favorite, has been...
...environmental organizations. In line with his praiseworthy dedication to the environment, Johnson’s repeated references to the cyclical life of water provide a vivid and powerful backdrop for his message of emotional release and renewal. “Sleep Through the Static,” the second track on the album, at first seems to share little with the other thirteen tracks, which sound like Johnson’s usual fare. Its clear anti-war stance is ostensibly far-removed from the acutely personal and emotional themes of tracks like “Angel?...
...that recalls Jack Johnson and leaves the listener excited to hear more. It seems like a good start to a good thing, but the next song, “Sorry Lori,” sounds strikingly similar. In fact, the whole first half of the album is replete with tracks that can scarcely be differentiated from one another. The sixth track, “Charlyn, Angel of Kensington,” is the first that breaks out of the mold. “Charlyn” was one of two songs from the album released for promotional purposes, and it?...