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...reach Hollywood. The first glimpse that director Catherine Hardwicke had of Twilight came at Sundance in 2007, where the founders of the newly independent Summit Entertainment showed her a script. It had been worked over so thoroughly at Paramount that it was practically unrecognizable. "It had Bella as a track star," Hardwicke remembers. "Then there were FBI agents - the vampires would migrate south into Mexico every year, and FBI agents in Utah were tracking them. They ended up on an island chasing everyone around in jet skis." (See the top 10 Sundance film festival hits...

Author: /time Magazine | Title: It's Twilight in America: The Vampire Saga | 11/23/2009 | See Source »

Annie does slip up occasionally. “The Breakfast Song” is a gimmicky track with lyrics as ridiculous as they are irrelevant (“What do you want… what do you want for breakfast?”). Annie’s ghostly natural tone, elsewhere used to brilliant effect, is discarded in favor of a punkish yowling that doesn’t suit her in the slightest...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: Annie | 11/20/2009 | See Source »

...barely even a “Chewing Gum.” But it makes up for the absence of immediate standouts by consistently delivering the goods: there are more hooks on this album than some pop artists deliver in a lifetime. From the disco minimalism of the title track to the spaced-out lustfulness of “Take You Home,” this is electropop as it should be—and rarely ever...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: Annie | 11/20/2009 | See Source »

...while attempting to evade other Chasers, Beaters throwing Bludgers (dodgeballs), and the Keeper (that’s me) to score a goal through the opposing team’s hoops. In the meantime, off the field, Seekers fight to catch the Snitch, a neutral player dressed in a gold track suit who is allowed to run anywhere on the college campus. A goal is worth 10 points, and the Snitch, if and when it is finally captured, is worth 30. At first glance, this is nothing more than harmless little Potter fans playing out their fantasies...

Author: By Avishai D. Don | Title: Blood on a Broomstick | 11/20/2009 | See Source »

Still, when she more carefully considers the effect of synthetic chords on her generally soft melodies, Jones puts the electric guitar to better use. The leadoff track, “Chasing Pirates,” uses a repeated electric tag and a harsher drumbeat to emphasize the claustrophobic redundancy of circular thoughts and dreams. “And I try not to dream but them possible schemes swim around / wanna drown me in synch,” she sings. Somehow, too, “Back to Manhattan” sounds like pure jazz—like Jones at her best...

Author: By Antonia M.R. Peacocke, CRIMSON STAFF WRITER | Title: Norah Jones | 11/20/2009 | See Source »

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