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...moments that Casablancas breaks free of midtempo rock and experiments with his sound that “Phrazes” truly shines. “11th Dimension” is undoubtedly the finest track on the album: an ’80s new-wave homage recalling the post-punk roots of New Order, “Dimension” showcases Casablancas truly having fun, as he gleefully exclaims “I got music coming out of my hands and feet!” Similarly experimental, the bluesy “4 Chords Of The Apocalypse” opens...
Robert J. Blendon, a doctor and professor at the School of Public Health, said the paper showed the importance of individual interests in framing the national health care debate, adding that legislators have “lost track of the fact that the American people are discussing how this will affect them...
...took that idea and ran with it,” Wei said. “Basically Gigue is an interactive musical experience where music is derived in real time through the senses of our body. I wanted to track people’s biorhythms, like heart rate or gait, in real time, and convert that into music...
...notes, yes, and even slips into falsetto on occasion, but with his lack of variation in volume and tone, he can’t compare to modern R&B greats like Usher and John Legend. In “Never Gonna Break Up,” the first track, Leslie makes evident these weaknesses. The chorus is sung nearly an octave higher than the verses, in a breathy falsetto, but his voice is merely pleasant and its intensity remains stagnant. “Never Gonna Break Up,” however, is polished, and showcasing Leslie’s skills...
...albums few strengths are found in its rythms, which are at times intricate, like at the start of fourth track “Is it Real Love.” “Where did you come from / where have you been?” sings Leslie, opening with a triplet and ascending gracefully in eighth notes. And in Pusha T’s opening rap phrase on “Something That I Like,” the rhythmic structure leads to an intriguing enjambment: “Silly me, now I’m so into her / fashion...