Word: tracks
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...Politics doesn't have to divide us on this anymore - we can work together to keep our country safe. I've worked with Republican Senator Dick Lugar to pass a law that will secure and destroy some of the world's deadliest, unguarded weapons. We can work together to track terrorists down with a stronger military, we can tighten the net around their finances, and we can improve our intelligence capabilities. But let us also understand that ultimate victory against our enemies will come only by rebuilding our alliances and exporting those ideals that bring hope and opportunity to millions...
...Still slightly hampered by an ankle injury he suffered last Friday, co-captain and setter Dave Fitz sat out the opening frame. But after Harvard (1-2) barely escaped with a game one victory, the senior came in to get his team back on track. “He was ready to go at the beginning of the match, but we held him,” Crimson coach Christopher Ridolfi said. “But he said, ‘I want to go on the court, and I want to clean this...
...powerless to resist. Forget the title: Nas’ new album, “Hip Hop Is Dead,” is a reminder of why “this rap shit is real,” as our hero declares in the aptly-named closing a cappella track, “Hope.” The record is simple, thoughtful, and classy as hell without being stiff or anachronistic. “Where Are They Now,” an homage to the countless one-hit-wonders and has-beens of rap history, is fitting because it?...
...frequencies. According to Schneider, “music theory in this scale has not yet been worked out.” The results are two 30-40 second songs enticingly called “Non-Pythagorean Theorem Compositions.” As far as I can tell, these tracks (as well as the other eight sub-minute songs on the album) sound basically like a five year old stepping on a Casio keyboard. The band’s website claims that these sounds were made using a vintage vocoder and Paul McCartney’s tape machine from...
Between all the whining and the melancholy, there are a few surprises. “Three Changes,” like every other song on the album, is a mess, but a calculated mess—a Sgt. Pepper’s-esque track that strays the farthest from the album’s gloom. Apart from Albarn and Danger Mouse, bassist Paul Simonon (of the Clash) contributes the most to the album’s feel. From the hopelessness of “Behind the Sun” to the electro-folk longing of “The Bunting...